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Garry Davis concludes by telling the audience he's in town to gain moral, political and financial support for the group he founded, The World Service Authority. Davis' final thought -- any man who defends his own rights is defending the rights of all men. Ray Davies of the English rock band, The Kinks, talks about the studio album, "Arthur (Or the Decline and Fall of the British Empire)". Davis reads lyrics from the songs, "Victoria," "Yes Sir, No Sir" and "Some Mother's Son".
In conclusion, August Derleth, spoke of his biggest influences, Henry David Thoreau and Ralph Waldo Emerson. Derleth believed that one day there would be a renaissance of great literary authors. With regards to playing the sleigh bells in churches, Iris Ford says its like blending something ridiculous to the sublime. Ford, a self-taught sleigh bell player, plays for all types of religious orders. Because playing the music is for God, says Ford, it needs to be exceptional.
Enrique Arias and Studs Terkel explore music from Colonial Latin American and discuss an upcoming concert featuring music from the opera “La Purpura de la Rosa.”
Studs Terkel interviews Tito Gobbi on his interpretation of Verdi. He also gets an interpretation of Gobbi's own music.
Cathy Berberian reflects on the evolution of her avant-garde singing style and her work with various contemporary music composers. Includes an interview with John Cage. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Starting at a young age, Ramsey Lewis really loved music and as he got older, he'd practice five or six hours a day. Lewis says he knew nothing about jazz until he met Wallace Burton at the age of 15. Burton hired Lewis on the spot to play in his band. Church music, Spanish music, Duke Ellington and the Beatles, says Lewis, were all great influences to him.
While in town for the Chicago Jazz Festival, Sam Pilafian and Gerhard Meinl discuss the history of the tuba. With demonstrations on the tuba, they play scales and other short pieces. Gerhard Meinl's family business of making instruments like the tuba has been around since 1810, explained Meinl.
The dulcimer is not only a musical instrument that John Jacob Niles plays, but he builds them too. Playing some scales, Niles gives a brief demonstration of the dulcimer, Niles explained people often requested he play his love songs. Niles believed love is something that is easily relatable to many people.
In addition to talking about Senegalese music, Gana M'Bow goes over the history of the "talking drum." M'Bow also plays various songs from Senegal and West Africa. Through the State Department, M'Bow was touring various cities across the US.