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Studs Terkel and John McDonough talk with jazz pianist Teddy Wilson about his influences and career. Wilson was initially strongly influenced by Fats Waller and later came to highly admire Earl Hines. He adapted their clean and clear piano style to his own work. Wilson aspired to be a classical musician but felt he could not attain the performance level required because his time was spent in jazz. He was an original member of the Benny Goodman trio alongside both Goodman and Krupa. He was a part of the first inter racial group to play in public.
Studs discusses Roy Eldridge’s work as a jazz musician and recounts prevalent moments from his career.
Polly Podewell and Johnnie McDonough evaluate jazz vocalists, musical influences, and compare music genres. Jazz music performances of Polly Podewell (from private tape) are interspersed throughout the interview as well as recordings from Mildred Bailey, Helen Ward, and Billie Holiday. Songs are removed on this file due to copyright reasons.
Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played and have been removed for copyright reasons: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".
Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".
Studs Terkel interviews blues singer song-writer Janis Joplin. This program discusses the following: Joplin's song "Turtle Blues"; Joplin's idols Bessie Smith and Lead Belly; Joplin's style of singing; Joplin's song writing; the blues; Joplin's interpretation of "Summertime"; and various renditions of the jazz song "Summertime". The following musical excerpts were presented: "Turtle Blues"; "Summertime" (interpreted by Janis Joplin); "Summertime" (interpreted by Mahalia Jackson); "Summertime" (interpreted by Billie Holiday); "Ball and Chain"; "Piece of My Heart"; and "Billie's Blues".
Janis Ian discusses her career, life, and her songs. The songs she talks about are "Society's Child", "Janey's Blues", "Honey D'Ya Think", "There Are Times", "Shady Acres", and "Lonely One". Janis Ian also discusses society, race relations, and responsibility. Includes Studs Terkel reading Janis Ian's poem "Poem One". Includes Janis Ian reading her poem.
Erroll Garner, jazz pianist, talks about his music style and his career. He explains how he taught himself to play and how he creates new music. He continues to explain his unique style and how it compares to other jazz musicians.
Discussing jazz music with jazz vocalist and cabaret performer Spider Saloff. Spider Saloff discusses George and Ira Gershwin. Songs removed due to copyright.
Studs interviews Dale Clevenger about his music with the Chicago Symphony and his jazz group, Ears, playing at Orphans in Chicago. Clevenger discusses his work with the symphony. He explains why he credits David Amram for his interest in Jazz music. He names artists like Billie Holiday, Jack Teagarden, and Clark Terry as musical influences in his life. The music is removed from this edited version of the original recording.
Studs Terkel speaks with Charles Mingus about his life and work in the context of his autobiography "Beneath The Underdog".
Brick Top discusses her career, her colleagues, and the jazz scene.
Abena Joan Brown, President of ETA Creative Arts Foundation, a Chicago-based African American cultural performing arts institution discusses some upcoming shows and past activities. Music by Paul Robeson, Mahalia Jackson, Billie Holiday, Sam Cooke is played along with and a poem by Angela Jackson.
Abena Joan Brown, President of ETA Creative Arts Foundation, a Chicago-based African American cultural performing arts institution discusses some upcoming shows and past activities. Artists, Paul Robeson, Mahalia Jackson, Billie Holiday, Sam Cooke and poet Angela Jackson are discussed.