The interview begins with Wright Morris reading from a essay he had presented at a conference on Arts in Public. Wright Morris, an American novelist and essayist , discusses how society no longer participates in consuming the arts, only skimming the surface by reading a review. Mr Morris argues that the bulk of society does not embrace or learn from the past mostly due to the fact there is no knowledge and a lack of curiosity to gain that knowledge.

Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.

Photographer and author Walter Rosenblum, and dancer and choreographer Daniel Nagrin discuss art, life, photography, and dance. The two answer the question “What calls one to a life of art?” and other driving factors for artists such as political, social, and economic interests. Studs opens and closes this program by playing an untitled Armenian dance song.

Tribute to Chicago painter and piano player Eddie Balchowsky.

Author and journalist Tom Wolfe discusses his new book, "In Our Time," which focuses on the ever-changing culture and ethics of America. Drawing examples from his cartoons he discusses how the counterculture of the 1960s, TV evangelists, politicians, and actors are challenging mores and values of the American people.

Discussing the book "From Bauhaus to our house" with the author and journalist Tom Wolfe.

Interviewing Timothy Leary.

Professor John Nef explained that Marc Chagall came from an environment of nothing. From his dreams, Chagall created joy in his pieces of art. Nef lets the audience know that Chagall said he still has a lot of unfinished artwork to complete. The 3rd and last part of this program is a colloquy. Again, through another translator, Chagall’s words are translated. Chagall said his life’s purpose is art. Chagall said any man could be a bad artist but that no man can be an artist unless he is in fact, a good man.

Professor John Nef explained that Marc Chagall came from an environment of nothing. From his dreams, Chagall created joy in his pieces of art. Nef lets the audience know that Chagall said he still has a lot of unfinished artwork to complete. The 3rd and last part of this program is a colloquy. Again, through another translator, Chagall’s words are translated. Marc and Valentina Chagall speak French.

Interviewing Ted Coe, James Speyer, and Wayne Thibaud : Jurors of the 1965 Art Institute Show. They discuss art exhibitions at the Art Institute of Chicago, visual arts, and art critics.

Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.

Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.

Presenting at the Picasso unveiling: dedication ceremony and comments 30th anniversary.

Studs Terkel presents the unveiling of the Chicago Picasso on August 15th, 1967, asking bystanders for their opinion on the new sculpture.

Discussing the book "Stephen Deutch, Photographer: From Paris to Chicago, 1932-1989" (published by the Tri-Quarterly) with photographer Stephen Deutch.