Presenting music live with Doc Hopkins and Stephen Wade.

Presenting live music with singer Bonnie Koloc.

Presenting live musical performance of Bob Gibson and company with reflections on the Grateful House benefit concert from folk singers Bob Gibson and Anne Hills-Burda, and musician Ray Tate.

Presenting Halloween program with singers George and Gerry Armstrong.

Sweet Honey In The Rock, an African American female vocal group, discusses their music. They talk to Studs and play folk/blues/traditional music.

Studs Terkel interviews Doc Watson about his music career. The interview includes recordings and live sections of different songs that have shaped his career.

Studs Terkel interviews Canadian singer-songwriter Buffy Sainte-Marie.

Studs Terkel comments on folk music entertainers Stever Goodman and John Prine. He discusses a little about their life and names a variety of their song titles. The musical performances have been erased from this edited version of the recording. Includes an excerpt from a previous interview with John Prine who speaks about his grandfather and a song he wrote about him.

Studs Terkel interviews and discusses the history and cultural significance of folk music with Doc Watson. Topics include Watson's personal history and biography, the origins of some of the songs he sings, sacred music.

Studs Terkel presents a “musical portrait” of Steve Goodman with the musician joining him in the studio to discuss, listen to, and play songs from his album “Words We Can Dance To.” Goodman begins by performing the blues song “Glory of Love,” and Terkel plays a clip from Big Bill Broonzy’s rendition of the song; Goodman cites Big Bill as one of his many influences. Goodman also plays an old jazz song called “When the Red, Red Robin,” with Terkel connecting that song to his first memories of jazz.

Discussing folk songs of the world and interviewing Stephen Addiss and Bill Crofut.

Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.