Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.

Studs Terkel reintroduces this 1958 broadcast with Jacques Tati in a 1992 rebroadcast. At 39:06, Terkel includes a musical epilogue to the conversation with Jacques Tati with French children's songs such as "Cadet Rousselle". Tati discusses his films "Mr. Hulot's Holiday" and" Mon Oncle" and his emphasis as writer, director, actor, and producer to maintain a naturalness. He doesn't want lights, cameras or action to influence the actors. Naturalness will respect independence and keeping it simple and real will create pride and invite people in.

Studs talks with versatile actor, singer, performer Danny Kaye who opens up about his worldwide appeal to children and adults alike, relating to children on their terms, his father's influence, the skills and work that go into his crafts, and much more. Kaye reveals his lack of musical training yet details his comic conducting talents ala Victor Borge via his charity work. The conversation continues with talk of his variety show performances, his fondness for Señor Wences, the medium of television, and his knack for dialects.

Shel Silverstein discusses his books "Lafcadio: The Lion Who Shot Back" and "Uncle Shelby's ABZ Book".. Shel Silverstein discusses his books, children's literature, and cartoonists.

Discussing the book "Doing it with style" with the authors Donald Carroll and Quentin Crisp.

Peter Cook and Dudley Moore talk about acting, comedy and their show "Good Evening," a two man sketch comedy show. .

Dick Gregory satirizes capital punishment in the United States, calls for the churches to take action, and talks about potential actions from "demonstrators." Other panel members answer audience questions (Father James Jones, Norval Morris, Hans W. Mattick, and Arthur Wineberg). Hosted by the University of Chicago. (Part 3 of 3)

Humorist and commentator Mort Sahl talks with Studs Terkel on the roof of Sahl’s Chicago hotel. The two briefly discuss Lenny Bruce’s legacy, but Sahl is quick to discuss a topic he brings up frequently in this interview: American’s criticism of “paranoia” and the U.S. government’s power to persuade. Sahl criticizes his young audiences for being uneducated and discuss the United State’s involvement in the Vietnam War. He also speaks briefly on liberals in Chicago, calling them weak for supporting Daley.

Mort Sahl the comedian discusses comedy, social satire, and humorists. He discusses the difference between sick humor and social commentary. He discusses politics in America. Includes a speech by humorist Will Rogers towards the end of the program.

Mort Sahl discusses comedy, social satire, and politics. Sahl discusses the topics of Communism, Fascism, the Kennedy assassination, and show business.

Tomlin talks in depth about the characters she has created and played (Trudy the Bag Lady, Kate, Agnus Angst, Chrissy, Lynn, Marie, ) in the play "The Search for Signs of Intelligent Life in the Universe" by Jane Wagner. Tomlin talks in detail about each character and inspirations and influences behind each, especially Trudy.

Musical theater and television actress/comedienne Kaye Ballard discusses her role as Helen in the 1954 American opera The Golden Apple, musician and writer John La Touche, her family, her accompanist Arthur Siegel and their mutual love for the Peanuts comic strip, the parakeet sketch she wrote with Mel Brooks, her background in burlesque and vaudeville, and her comic and musical inspirations.

Cartoonist Jules Feiffer discusses his book "The Explainers" and his thoughts on American society, gender roles, and political corruption as is satirized in his cartoons; cartoon strips are read throughout the program with Jamie Gilson.

Filmmaker Jacques Tati and Studs discuss finding the humor in everyday life and people becoming their gadgets. The two also go in-depth about Tati's film "Mon Oncle" and the development of the character Monsieur Hulot.

When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.