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Studs Terkel interviews Doc Watson about his music career. The interview includes recordings and live sections of different songs that have shaped his career.
Studs Terkel interviews Canadian singer-songwriter Buffy Sainte-Marie.
Studs Terkel comments on folk music entertainers Stever Goodman and John Prine. He discusses a little about their life and names a variety of their song titles. The musical performances have been erased from this edited version of the recording. Includes an excerpt from a previous interview with John Prine who speaks about his grandfather and a song he wrote about him.
Studs Terkel interviews and discusses the history and cultural significance of folk music with Doc Watson. Topics include Watson's personal history and biography, the origins of some of the songs he sings, sacred music.
Studs Terkel presents a “musical portrait” of Steve Goodman with the musician joining him in the studio to discuss, listen to, and play songs from his album “Words We Can Dance To.” Goodman begins by performing the blues song “Glory of Love,” and Terkel plays a clip from Big Bill Broonzy’s rendition of the song; Goodman cites Big Bill as one of his many influences. Goodman also plays an old jazz song called “When the Red, Red Robin,” with Terkel connecting that song to his first memories of jazz.
Discussing folk songs of the world and interviewing Stephen Addiss and Bill Crofut.
Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.
Known for their songs about the working class, both Florence Reece and Pete Seeger talk about how they come about writing the lyrics to songs. Seeger says unbeknownst to them, anyone can write a song. Included within this interview, Seeger plays the banjo and Reece sings a song.
Judy Collins converses with Studs about her early life and her career as a singer of folk music. The following songs are played throughout the interview: "Lark in the Morning;" "The Great Silkie of Sule Skerry;" "Pretty Saro;" "Song of the Wandering Aengus," Yeats, W.B. read by Cyril Cusak; "Golden Apples of the Sun," Yeats, W.B./Edmonson, Travis; "The Bold Fenian Men," Kearney, Paedar; "The Ballad of the Carpenter," MacColl, Ewan; and "The dove." Traditional/MacColl, Ewan.
Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.
Interviewing singer, guitarist, and civil rights activist Josh White and blues singer Sam Gary about their blues and folk music.
Rosalie Sorrels discusses her career, family, and folk music. Includes Rosalie Sorrels reading her mother's writing. The following songs have been removed due to copyright restrictions: "Traveling Lady", "You Can't Go Home Again", "Her Mantle So Green", "If You Love Me", and "The Long Memory". Cal Hans plays the dobro in the background and makes some comments. Includes performance by pianist Daniel Varsano at the end.
Interviewing folksinger and activist Ronnie Gilbert.
Studs interviews Vietnam veteran and anti-war activist Ron Kovic upon the paperback release of his autobiography "Born on the Fourth of July." Kovic recounts his All-American upbringing and unblinking faith in the country and its ideals before volunteering for the Marines and Vietnam.