Fela Sowande discusses his career, music, and compares African culture and music to Western culture and music. Includes two songs that are sung by tenor Max Worthley. Includes a clip of a Nigerian Youth song. Includes performance by a Nigerian skiffle band. Sowande was inspired by [Anthony Gregascoigne], an English poet he met in England.

Fela Sowande discusses his career, different types of Nigerian and African music, the Yoruba people, and religion. Includes clips of an African Yoruba pagan hymn "Oyigiyigi," a Christian version of that hymn, and an organ version of that hymn. Includes Sowande's song "Roll de Ol' Chariot." Quotes a poem by [Anthony Gregascoigne], an English poet he met in England.

Fela Sowande discusses his career, Nigerian music, and compares African culture and Western culture. Includes clips of musical performances by Highlife musicians and orchestra. Music: A clip of high-life music, "Folk Symphony for Full Orchestra."

Discussing the origins of three schools of contemporary American music, their influence upon each other, and the new directions composers are taking with their music with composer and trombonist Bill Russo.

Studs and Mr. Blackwood discuss his musical theory of tonal composition, and Mr. Blackwood plays several excerpts of his piece "Chamber Work for Fourteen Winds" on the piano.

The program begins with an excerpt from BBC Radio about a hoax piece of music by Pietorzac (Hans Keller). Hans Keller and a friend went into studio and made noise and presented it as music. In this round table discussion the three gentlemen - all composers, musicians, and educators, discuss with Studs, contemporary music and the standards for defining a composition as music. In the second hour, they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro's and the cons.

In this round table discussion the three gentlemen - all composers, musicians, and educators - discuss with Studs contemporary music and the standards for defining a composition in music. In the second hour they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro and the con. A movement of both Blackwood and Shapey compositions is played.

Discussing the music of the Mothers of Invention and interviewing Frank Zappa. Songs include "Who are the Brain Police," "Brown Shoes Don't Make It," "Concentration Moon," "Mom and Dad," "Bow Tie Daddy," "Harry, You're a Beast," "What's the Ugliest Part of Your Body?" "Trouble Every Day," "Very Distraughtening," "White Ugliness" and "There Will Come a Time."

Terkel comments and presents a musical performance of the Kronos Quartet

John Cage and Merce Cunningham discuss their collaborations of choreography and music. They discuss their influences and careers. Includes a clip of an earlier interview with John Cage.

Terkel interviews Corky Siegel and the West End String Quartet. Corky Siegel and the West End String Quartet also performs during the broadcast. They also discuss the musical genre of chamber blues.

Studs Terkel interviews composer Ned Rorem. They discuss Rorem's childhood, music, poetry, languages, and religion.

Laurie Anderson discusses her album "Big Science" and talks about he creative process. Talks briefly about her transition from plastic arts to performance artist and her perspective of the world after World War II and her collection of short stories and songs called "United States"

Joel Sachs discusses Russian avant-garde music and Soviet Union artists.

Terkel comments and presents a musical performance by the Loop Group