Showing 1 - 15 of 157 results
Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".
Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".
Marian McPartland discusses jazz music, her husband Jimmy McPartland, and her career.
Studs Terkel interviews jazz musician Anita O'Day.
Red Saunders discusses jazz music and jazz musicians.
Studs Terkel continues to interview actress and singer Eartha Kitt. Part 2 of the interview begins with the song "Üsküdara", and ends with "Mountain High, Valley Low", both sung by Kitt. Kitt discusses the following; her career; her desire to entertain; her autobiography, "Thursday's Child"; her mothers death; the art of interacting with the audience; the femme fatale; her time with the Katherine Dunham Dancers; and her portrayl of Helen of Troy.
Interviewing ragtime pianist-composer Eubie Blake, Bill Bolcolm and Bob Kimball. They discuss the musical "Shuffle Along." Songs include "Gee I'm Glad I'm From Dixie," "Dream Rag," "Brittwood Rag," "He May Be Your Man," "Brass Knuckles," and "Memories of You."
Marian McPartland discusses her career, the role of women in jazz, and jazz music.
Discussing the book "The New Grove Dictionary of American Music". They talk about American music and musicians of all kinds and from different periods. Includes Charles Ive's song "At the River" sung by Cleo Laine in the middle of the program.
Brick Top discusses her career, her colleagues, and the jazz scene.
Studs Terkel interviews Mary Lou Williams and her manager, Father Peter O'Brien. They discuss music, musicians, and instruments. Some clips of piano music playing at the end.
Studs Terkel and John McDonough talk with jazz pianist Teddy Wilson about his influences and career. Wilson was initially strongly influenced by Fats Waller and later came to highly admire Earl Hines. He adapted their clean and clear piano style to his own work. Wilson aspired to be a classical musician but felt he could not attain the performance level required because his time was spent in jazz. He was an original member of the Benny Goodman trio alongside both Goodman and Krupa. He was a part of the first inter racial group to play in public.
This is an interview with Adam Makowicz (Polish musician) in which he talks about the formation of his music career on jazz.
Kenneth Allsop, literary critic for the Daily Mail, BBC host of Tonight and author of "The Bootleggers and Their Era" sits down with Studs Terkel to discuss everything from the Social Realism of Arnold Wesker, Allen Sillitoe, and Shelagh Delaney known as the Backstreet Kids to the class warfare of "The Fourth of July" author David Benedictus. The two key groups of theater, the Royal Court led by George Devine and the Theater Workshop led by Joan Littlewood is also discussed.