Terkel comments on and reads from "The War" with Eleanor Bron

Reading from Marguerite Duras's "The War: A Memoir" (published by Pantheon) with actress Eleanor Bron (part 1 of 2).

Reading "Report from an English Village" and interviewing the author Ronald Blythe while Studs was in London.

Tennessee Williams said he'll stop writing when he can no longer produce good work. He spoke of being puzzled as to why so little of his work gets produced in New York. Williams also talked about taking offense when the first sequences of the TV show "Dallas" aired. He explained that the owner of the great estate in "Dallas" was a copy of his Big Daddy character, who was a wealthy plantation owner.

Discussing "Cadbury tales," about teacher Vivian Cadbury, with students from Lane Technical High School in Chicago.

Interviewing writer and editor Sylvia Kronstadt.

Author Susan Brownmiller discusses and reads from her book “Waverly Place”, a fictional story heavily inspired by the Lisa Steinberg child abuse case of 1987. Brownmiller discusses the details of the case and how domestic abuse, law enforcement, and the judicial system affected the outcome of this case. Studs plays "She Sits on the Table" - Tom Paxton (1980).

In Susan Brownmiller's book, "Against Our Will: Men, Women and Rape," Brownmiller shows her audience how and why rape is a crime of one's mind and not one of passion. According to Brownmiller, rape is man's dominance over a woman.

Ms. Anthony, the grand-niece of Susan B. Anthony, comments on the women's liberation movement, her personal political life and her view of Christian life.

Studs Terkel discusses Flannery O'Connor (part 1 of 2). Includes reading of the short story "Revelation." Includes song "Amazing Grace." NOTE: Content is the same as part two, but contains several seconds more of silence at the end where part two does not have several seconds of silence.

Studs Terkel discusses Flannery O'Connor (part 2 of 2). Includes reading of the short story "Revelation." Includes song "Amazing Grace." NOTE: Content is the same as part one, but contains several seconds less of silence at the end where part one has several seconds of silence.

Studs Terkel and Tom Wolfe discuss Wolfe's first collection of essays, "The Kandy-Kolored Tangerine-Flake Streamline Baby". Terkel and Wolfe begin their conversation by listening to and discussing an excerpt from an interview with a young motorcycle enthusiast named Chuck. Topics of conversation include Wolfe's writing process and personal history, the generation gap, class and income disparity, motorcycle culture, Las Vegas, and stock car racing.

Studs and Tom Wolfe discuss Wolfe's first collection of essays, "The Kandy-Kolored Tangerine-Flake Streamline Baby". Terkel and Wolfe begin their conversation by listening to and discussing an excerpt from an interview with a young motorcycle enthusiast named Chuck. Topics of conversation include Wolfe's writing process and personal history, the generation gap, class and income disparity, motorcycle culture, Las Vegas, and stock car racing.

Sandra Cisneros recounts the creation of her works from her new release "Woman Hollering Creek and Other Stories" as well as "House on Mango Street". The following have been removed due to copyright restrictions: "Eleven", "Mexican Movies", "Eyes of Zapata", "Bien Pretty" and "One Holy Night". From "House on Mango Street" she reads "A Smart Cookie", "Hips", "My Name", and "Mi Tocayo," "Those Who Don't."

Kenneth Allsop, literary critic for the Daily Mail, BBC host of Tonight and author of "The Bootleggers and Their Era" sits down with Studs Terkel to discuss everything from the Social Realism of Arnold Wesker, Allen Sillitoe, and Shelagh Delaney known as the Backstreet Kids to the class warfare of "The Fourth of July" author David Benedictus. The two key groups of theater, the Royal Court led by George Devine and the Theater Workshop led by Joan Littlewood is also discussed.