Anna Deavere Smith discusses and demonstrates her unique character portrayals from her works "Fires in the Mirror" and "Twilight: Los Angeles, 1992."
Interviewing William Gibson.
Arnold Wesker, English playwright and writer in several genres discusses scenes from the play "Roots". Mr Wesker further discusses his plays and the current cast traveling around England performing several of his plays. The interview tape ends and Studs recalls the remainder of the interview alone as a postscript.
Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.
Cole Porter biographer Robert Kimball talks with Studs about his book "Cole" and his subject's life and work as they listen to classic performances of some of his most beloved songs. They marvel at how Porter perfectly captured the zeitgeist of the times in his lyrics, his lyrical influences, his unique method of outside-in composing lyrics and music simultaneously, Bobby Short's masterful interpretations, controversies over some of his works, and how well his material holds up.
Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.
Interviewing Harold Clurman.
Claudia Cassidy discusses being a critic of theater and opera etc. Cassidy also discusses her writing and journalism aspirations.
John Lahr discusses celebrities, the media, and his book "Autograph Hound". Includes Studs Terkel and John Lahr reading from Lahr's book "Autograph Hound".
Soviet intellectuals Tamara Mamedova, Nicolai Pogodin, and Anatol Safronov talk with Studs Terkel about their work with the Institute for Soviet-American Relations (U.S.) and Soviet arts and culture.
Joachim Kaiser discusses critiquing German music and how the music scene in Germany has changed. Studs Terkel in Germany.
Dorothy Parker’s thoughts as a critic and writer on the state of American literature.
Martin Gottfried discusses his book "Broadway Musicals" and the history of the musicals by evaluating the different big name composers, lyricists, and directors of Broadway.