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Norman Pellegrini interviews Studs Terkel to discuss his life and career as a radio personality. Studs recalls a specific moment walking through the streets of Chicago and hearing blues music coming through the window of someone’s home. As Studs recalls, this moment is one that jump-started his interest in music and radio and inspired him to leave his life of studying law and move into the unknown of music radio. Technical engineer and producer of the show, Jim Unrath, joins the conversation to recount previous interviews and programs of Studs'.
In Berkeley, Calif., Ralph Gleason, jazz and pop critic, and founding editor of Rolling Stone, talks with Studs about the history of jazz and jazz artists. They talk in depth about Billie Holiday, white performers who imitated the style of black jazz singers, and jazz festivals. Songs include Holiday's "Them There Eyes" and "God Bless the Child."
Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".
Cole Porter biographer Robert Kimball talks with Studs about his book "Cole" and his subject's life and work as they listen to classic performances of some of his most beloved songs. They marvel at how Porter perfectly captured the zeitgeist of the times in his lyrics, his lyrical influences, his unique method of outside-in composing lyrics and music simultaneously, Bobby Short's masterful interpretations, controversies over some of his works, and how well his material holds up.