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Studs interviews blues singers Willie Dixon, Sunnyland Slim, and Willie Mae Big Mama Thornton about the blues. They discuss the blues festival in Chicago for which they are all in town for and name other musicians who will be performing. Sunnyland Slim talks about being on the road and the hard times. Thornton describes the blues as music made from life experiences.
Studs Terkel discusses church architecture William Cooley, a church architect, and Martin E. Marty, a theologian and scholar at the University of Chicago.
Discussing the book "the Black Messiah" with the author Reverend Albert B. Cleage, Jr. He discusses the African American church and theology. He also discusses broader topics such as civil rights and African American history. Includes a clip of an interview with a woman named Mrs. Alexander at the beginning. Includes a clip of the song "Beulah Land" sung by the Georgia Sea Island Singers.
Dick Gregory satirizes capital punishment in the United States, calls for the churches to take action, and talks about potential actions from "demonstrators." Other panel members answer audience questions (Father James Jones, Norval Morris, Hans W. Mattick, and Arthur Wineberg). Hosted by the University of Chicago. (Part 3 of 3)
Jazz pianist Oscar Peterson sits down with Studs Terkel to discuss historical developments in jazz piano, his own personal development as a pianist, and his experience directing a youth jazz piano school. Includes Peterson playing short excerpts from "Chicago (that toddlin' town)," "Soon," Chopin's Nocturne in E flat Major to demonstrate musical concepts.
Marian Anderson recalls singing on stage for the first time at the Metropolitan Opera House in 1957 and how it was the realization of a dream come true. Marion's nephew, James DePreist remembers being able to conduct a piece of music he had never conducted before because his aunt Marion had exposed him to it when he was a child. James said when his aunt Marion sung spirituals, he couldn't help but feel religious and he's an atheist.
Discussing Thailand and interviewing journalist Louis Lomax. Includes passage from book.
In a nightclub in Chicago, at two in the morning and after a performance, Louis Armstrong talks about his music stylings. Notes are good to learn the tune, says Armstrong, but it's all about the phrasing. Armstrong explained, it's up to you to express yourself. Armstrong shared the one piece of advice that had always stuck with him. King Oliver told Armstrong not to worry about the notes but rather to put some lead into the song.
James Baldwin discusses his book "Another Country" and his trip to Africa. Mr.Baldwin and Studs speak about his place in social reform and his fight for civil rights for all.
Marion Anderson, soloist, and James DePreist, conductor, sit down with Studs Terkel prior to their Grand Park Weekend Concert where "Berjack Symphony No. 2 or 7" will be played with the 'Copland Preamble for Solemn Occasion" as well as a group of Negro Spirituals with "Ava Maria". Marian Anderson begins the interview by singing "Erlkonig" and concludes with "Ava Maria". She discusses the early influence of the first Negro arts singer, Roland Hayes had on her in Philadelphia and his "He Never Said a Mumberlin' Word" is played. Both Anderson and DePreist discuss how song becomes drama.
Singer Harry Belafonte discusses Black music including spirituals and jazz and how it has contributed to American culture.
This interview begins with a clip of one of Dick Gregory’s performances, where he talks about nonviolence and Native Americans. Studs Terkel introduces his guest as an observer, explaining that comedians are the best observers in society. Gregory offers extended analogies to communicate his views on a variety of topics, including the Vietnam War, race relations, segregation, human rights, and urban renewal. [The date is unclear, but it has to be after 1970, since the Kent State Shootings were mentioned]