Terkel comments and presents a musical performance of The Maxwell Street Klezmer Band

Terkel presents a musical performance by Huayucaltia

Phakavali Dancers discuss their career in classical music and dancing from Thailand. Normally, the group consists of 14 dances and 5 musicians that share classical & folk music. Their dancing and music reflects the history, culture, and lifestyle of Thailand. Audio of the Thai outro music ends in fade out, then abruptly a Classical music with no recorded name starts and ends with applause.

Oscar Ghiglia discusses studying under Andres Segovia and reviews different types of guitars and composers through history, including Weiss, Villa-Lobos, and Scarlatti. Music is played throughout: "Prelude, Fugue and Allegro in E-Flat Major, BWV 998 (Arr. for Guitar) : I. Prelude" composed by J.S. Bach, "Canarios (Air De Danse)","La Maja De Goya", "Fantasia in E-Minor" composed by S.L. Weiss, "Five Preludes, W. 419: No. 1 in E Minor (Andantino expressivo)" composed by Heitor Villa-Lobos, "Sonata In G, L.79" composed by Domenico Scarlatti, and "Tarantella, Op.

Ernesto Anaya, Hector Sanchez, José Ávila, Olga Alanís, and Rosalinda Renoso discuss the influence of Mexican culture and history in the music they perform and the instruments they use.

Chilean folk songs have been removed due to copyright restrictions: "If We Are Americans;" a flute song for the harvest celebration; the song "Jacinto Cenobio;" song ["Winos Poinas"]; a Mexican flute song; the song "La Fiesta De San Benito;" the song "La Pulque;" and the song "El Condor Pasa." but are discussed within the program.

Margaret Barry and Michael Gorman, discuss traditional Irish music and their careers as musicians.

Singer Margaret Barry and fiddler Michael Gorman reminisce about singing and playing at the Bedford Arms pub. Barry talks about how's she's travelled all over Ireland. She talks about how sad it is to not be doing as many live performances because times are changing to the jukebox.

In a nightclub in Chicago, at two in the morning and after a performance, Louis Armstrong talks about his music stylings. Notes are good to learn the tune, says Armstrong, but it's all about the phrasing. Armstrong explained, it's up to you to express yourself. Armstrong shared the one piece of advice that had always stuck with him. King Oliver told Armstrong not to worry about the notes but rather to put some lead into the song.

The Peking Opera and "Taking Tiger Mountain by Strategy" are among topics discussed in Lois Wheeler Snow's book, "China on Stage: An American Actress in the People's Republic". While visiting China, Snow learned the Chinese plays were both of the traditionally old ways and of the new revolutionary ways. Snow also adds that performances of Chinese acrobatics is like nothing in the United States.