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Stafford Dean and Catherine Malfitano analyze their characters in "The Marriage of Figaro" and aspects of opera. They also discuss their upbringings, musical influences, and the future of opera. The original show opened with a recording of the Overture from "The Marriage of Figaro", which has been removed from this recording for copyright reasons.
Simon Estes, bass-baritone opera singer, is in Chicago for four performances of George Fredric Handel's Oratorio "Saul." He talks with Studs about growing up, his education, and his career in classical music and opera. The following songs were removed due to copyright restrictions. "Symphony No.
Marilyn Horne and Henry Lewis discuss their careers, opera music, and their operatic roles. They also discuss cross-gender roles in opera and Marilyn Horne's role as Romeo in the opera "Capuleti e i Montecchi" by Vincenzo Bellini. Includes clips of Marilyn Horne singing an opera song at the beginning, an opera song by Gioachino Rossini, and a song from Charles Gounod's opera "Sapho."
Marilyn Horne and Henry Lewis discuss their careers, roles, and opera. Includes Marilyn Horne singing a song from Ludwig von Beethoven's "Fidelio".
Being a Pisces, Pavarotti says he's always looking for perfection. He admits the biggest critic of his work is himself. Pavarotti said that he loves the charm of the French language and he likes to learn new languages. He talks of recording some music in Russian. Being able to reach those high C notes, Pavarotti says, is the most athletic part of his voice.
Pavarotti recalls his meeting with the Pope was very special. Singing "Ave Maria" for him was like God lit up, explained Pavarotti. There are more younger people in the audience, said Pavarotti. They're very surprised that opera's so beautiful, as they believed it was an old fashioned thing.
Instead of being called "The King of the High C's," Pavarotti would rather be known as "The King of the Bel Canto". Pavarotti said he didn't have the greatest of enthusiasm prior to performing his first concert. However, it ended up being a phenomenal experience, he said. A great singer, Pavarotti added, is very human and romantic. One needs to feel what one's singing and lastly, one must be a beautiful person inside.
Lotte Lehmann, legendary opera soprano, discusses her book "Five Operas and Richard Strauss" about her portrayals of famous roles. Interviewing Lotte Lehmann, recorded at the Orrington Hotel, Evanston (including excerpt from master class at Northwestern and recording excerpts from Walkure with Melchior).
Short wrap-up of interview and a few words about some of her favorite recordings - "Morgen" and "Die Walküre" / "Valkyrie" by Strauss. Interviewing Lotte Lehmann, recorded at the Orrington Hotel, Evanston (including excerpt from master class at Northwestern and recording excerpts from Walkure with Melchior).
Jan Peerce discusses his career as a tenor, both in opera and on Broadway. He discusses his vocal technique and trends in sacred music.
British baritone Ian Wallace discusses the Glyndebourne Festival Opera. Recorded while Studs was in England.