Listen to New Voices on Studs Terkel our partnership with 826CHI-here! Read the Story
Showing 1 - 4 of 4 results
Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.
Studs interviews Lukas Foss about his career as a classical composer and conductor. Foss talks about his work with the Milwaukee Symphony Orchestra. He reflects on how teachers influenced his career and how he learns from each orchestra that he works with. He shares his love for poetry and explains how he makes music from poems and uses "Thirteen Ways of Looking at a Blackbird," a poem by Wallace Stevens, to illustrate. They discuss how Foss composes and how it is very similar to the way Jazz is composed with improvisation.
Studs rebroadcasts an interview he did five years ago with George Flynn, composer and head of the music department at DePaul University. Flynn explains the creative part of his music and how worldly events such as the Vietnam War help him and other musicians like him, write their avant-garde music. Flynn defines some of his compositions that include: "Wound," "American Rest," and "Canal." He shares the people and events in his life from a teenager who have influenced his work.
Studs interviews Abraham Chasins about his book, “Leopold Stokowski: A Profile.” They discuss Stokowski’s life in great detail as they discuss different parts of the book. Chasins describes the amazing career and life of Stokowsky who revolutionized the symphony orchestra. Studs reads a few excerpts from the book. Chasins shares some background behind some of the stories from his book. Studs and Chasins discuss the various orchestras Stokowsky worked with. Chasins notes that Stokowski taught his audience how to behave and never used a baton when he conducted.