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Studs Terkel and William (Bill) Leonard share memories of the Blue Note Jazz Club as a tribute to Frank Holzfeind. Music is played throughout the episode: "After You've Gone" by the Benny Goodman Sextet, "The Flat Feet Floogie" by Slim and Slam, "How High the Moon" by Sarah Vaughan, "Destination K.C." by Count Basie, "West End Blues" by Louis Armstrong, "Lil' Augie Is A Natural One Man" by Chet Roble, and "Rock Skippin' at the Blue Note", Duke Ellington. Songs have been removed for copyright reasons.
Stanley Dance discusses jazz and his the book "The World of Swing". He tells anecdotes of jazz musicians and talks about the history of different songs. The interview is interspersed with songs of the jazz/swing genre: "Stompin' at the Savoy," "Three Little Words," "Here Comes the Man with the Jive," "Where are You," "Passing it Around," "Effervescent Blues," "Who's Sorry Now," "Sleep" and "One More Once." Music has been removed from this recording for copyright reasons.
Stanley Dance discusses jazz and his the book "The World of Swing". He tells anecdotes of jazz musicians and talks about the history of different songs. The interview is interspersed with songs of the jazz/swing genre: "Stompin' at the Savoy," "Three Little Words," "Here Comes the Man with the Jive," "Where are You," "Passing it Around," "Effervescent Blues," "Who's Sorry Now," "Sleep" and "One More Once."
Studs interviews Phyl Garland about her book "Sound of Soul." They discuss the history of music and how black music influenced white music. Studs reads a quote from her book where she quoted Lerone Bennett. Garland also reads from her book a few times. They discuss how music changed over time for blacks from spirituals to slave songs to the blues because it was a reflection of their lives. Garland explains how blacks used music to help them through their trials and frustrations.
Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played and have been removed for copyright reasons: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".
Bandleader, jazz musicologist and composer James Dapogny discusses his work in reviving the sound and art of jazz. Dapogny's work is mainly associated with his group James Dapogny's Chicago Jazz Band and his career in publishing lost works of Ferdinand "Jelly Roll" Morton.
Bob Koester, record producer and owner of Delmark Records, the United State's oldest independent jazz and blues label, talks about jazz, blues, and bebop musicians.
Art Hodes discusses his history and influences on his career as a jazz and blues pianist. He tells stories of musicians he has worked with and how he keeps his performances fresh after playing for so many years. Music by Art Hodes is played throughout: "Chimes Blues", "Tennessee Waltz", "Grandpa's Spells", "Just a Closer Walk with Thee","Cakewalkin' Babies from Home", "Blues 'N Booze", and "Riverside Blues".