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Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.
Erich Lüth discusses his experiences, observations, and accounts of life in Hamburg, Germany during the rise and fall of Hitler. He recounts how as a member of Parliament he brought in Hitler's, "Mein Kampf" and read portions aloud and was laughed at by his colleagues. He states they were blind to what Hitler declared in his book he would do and some are still blind by wanting to rub out their past, their history.
Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.
Erich Lüth's discussion with Studs Terkel is similar to part 3 but Luth offers a more in-depth conversation on the role of teachers in schools and how the time of Hitler is taught. There were those teachers that joined the party to continue their love of teaching and those teachers that were brought into the Nazi Party to follow their convictions. This lack of courage to resist influences pupils today because teachers are not saying they were cowards. The relationship is altered out of shame, and embarrassment.
Studs interviews Rolf Liebermann, director and composer, at the Hamburische Staatsoper in Hamburg, Germany. Liebermann explains some history of previous directors and performances. Many artists and operas are mentioned, but only a few were focused on in detail. Liebermann explains details about the operation of the opera highlighting the budget and the functions of the opera house. The recording stops short toward the end of the interview.
Joachim Kaiser discusses critiquing German music and how the music scene in Germany has changed. Studs Terkel in Germany.
German critic Joachim Kaiser discusses his life and the theater scene in Germany. Studs Terkel in Germany.
Interviewing Friedrich Luft while Studs was in Germany.
Interviewing Erich Lüth while Studs was in Germany.
Interviewing Dieter Lattman : Studs Terkel in Germany.
Studs interview with Hildegard Knef, actress and writer. They discuss her life in Nazi Germany during the war and her experience as an actress when she came to America. Studs and Hildegard read together from her book, "The Gift Horse." Knef describes her family, Nazi Germany, survival, and her experience as a German in American post WWII. Her husband, David Anthony Palastanga, also reads an excerpt from her book.
Studs continues his interview with Erich Luth in Hamburg, Germany. The audio breaks at 25:23 and continues on a Sat at 25:28 till its conclusion at 35:43. Erich Luth conveys stories of humanity by both German prisoners towards Russian prisoners whose treatment was dictated by the Nazi party to not offer any winter clothing or shoes to provide comfort. The German laborers provided a human solidarity that brought them food, clothes, and soap.
Studs interview with German writer and freelance journalist, Dieter Lattman, who shares his military family background and the influence that WW II had on his desire to involve himself in politics. They discuss other German authors and the German family and culture. Studs quotes German journalist and political critic, Joachim Kaiser, who called the young people of Germany a "fatherless generation." Studs interviews Lattman in Germany.
Studs interview with Dieter Lattman, German author and journalist. They discuss the powerful influence that German intellectuals have over the general public and how this led to the silent acceptance and ignorance of concentration camps and euphemism in Germany pre WWII. Littman praises William Shirer's book, "The Rise and Fall of the Third Reich" but warns that he did not know about the average German family. Littman shares some of his memories as a German youth living during the Nazi reign. Interview takes place in Germany.
While in Munich, Studs speaks with Berthold Spangenberg about postwar cultural reconstruction of Germany through the lens of Spangenberg's mid-sized publishing house. Spangenberg notes international influences and regional variances among German cities and the significance of a divided Berlin. Terkel ends with musings on his travels in Germany.