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Studs interviews Wolfgang Rubsam who is performing at the St. Clements Catholic Church in Chicago. They discuss the sounds of the harpsichord, piano, and organ. Rubsam explains how the organ builder and the acoustics in a church affects the sound of the organ. Rubsam talks a little about various teachers he has had and the things he learned from each. The musical numbers are removed from this edited version of the original recording.
Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.
Tervalan Porche discusses creole music, language and culture in which she is an exponent as a singer. The interview starts abruptly which we can deduce that the first part of the introduction was not recorded. This recording has copyrighted material removed.
Studs Terkel and John McDonough talk with jazz pianist Teddy Wilson about his influences and career. Wilson was initially strongly influenced by Fats Waller and later came to highly admire Earl Hines. He adapted their clean and clear piano style to his own work. Wilson aspired to be a classical musician but felt he could not attain the performance level required because his time was spent in jazz. He was an original member of the Benny Goodman trio alongside both Goodman and Krupa. He was a part of the first inter racial group to play in public.
Presenting trombone music and interviewing trombone player Jim Beebe.
Presenting music and interviewing studio musicians Pat Ferrari, Ron Steele and Jim Crockett editor of Guitar Play Magazine.
Presenting music with Christa Ludwig and Walter Berry.
Presenting music performance with Charlie Byrd.
Musical performance of Buck Clayton, includes interview by Studs Terkel.
Susan Salm discusses her career as a cellist, the cello, and classical music. Includes an earlier interview with a younger Susan Salm and her mother. Includes an announcer's comments from the BBC at the end of the program.
Six members of The Klezmorim discuss their musical upbringings, the history of klezmer music, and explain how song structures work and overlap. Songs played throughout are: "Moldovanke" by The Klezmorim, 2 songs by an unknown klemer band from the mid 1920s,"Papirosn" by The Klezmorim, "A Glezele Vayn (A Little Glass of Wine)" by The Klezmorim, and a live performance of "Papirosn" by The Klezmorim. All music performed by The Klezmorim were prerecorded off site. Music has been removed from this recording for copyright reasons.
While their works and forte is classical music, Roger Detmer and Virgil Thomson talk about tape and electronic music. Detmer points out that in some eastern European countries, tape is considered pasee, and yet it's used often to recreate a sound to be used with their orchestras. Both men talk about electronic music and how it's sometimes used to make hand-made music sound artificial.