Viveca Lindfors discusses her roles and the roles of women in society. Includes Viveca Lindfors reciting lines written by Lillian Hellman.

Excerpts of interviews with Simone Signoret (actress and author), Simone de Beauvoir (author), and Francoise Rosay (actress).

Actor and director Sidney Poitier offers his reflections about his autobiographical memoir, "This Life". Poitier explains how he never had ambitions to be an actor and yet he stumbled into acting when looking through the clasisfied ads. There's a story about his agent trying to settle a negotiation on Poitier's behalf. Poitier's agent told the others involved that Poitier was offered a film in Hollywood. Believing it was a cheap ploy, the agent was told to tell Poitier to go onto Hollywood, and the rest is history for Sidney Poitier.

Actor Robert Morley discusses his career and autobiography, "Robert Morley: A Reluctant Autobiography;" part 2.

Actor Robert Morley discusses his career and autobiography, "Robert Morley: A Reluctant Autobiography;" part 1.

Rita Moreno talks about her own Puerto Rican ethnicity and how it relates to her role as Anita in West Side Story.

Rita Moreno talks about her own Puerto Rican ethnicity and how it relates to her role as Anita in West Side Story.

Studs speaks to actress Peggy Nelson, playwright Arnaud d'Usseau, and student Olivier Bernier while he is in France. [Part 2 includes Yves Montand.]

The Stanislavski Method, Shakespeare, his various plays, "The Merchant of Venice," and playing the role of Shylock are all topics covered in this interview. Carnovsky said that the highpoint of his acting career was playing the role Shylock. Public relations man, Danny Newman, talks at the end about subscriptions to the Goodman Theatre.

Melvin Douglas and Frank Lovejoy discuss their roles in Gore Vidal's play "The Best Man", politics, and their careers.

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. In conclusion, Marlon Brando added that his being a famous actor posed an ugly and difficult burden to his son.

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. In a surprising twist, Marlon Brando asks Studs Terkel why he is so obsessed with asking people so many questions and Terkel’s reply was curiosity.

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Self-righteousness and values are topics covered by Marlon Brando. Here in the states, Brando said, we are living a dream. We do not want strife in our lives, and yet he says it seems as though we seek it.

Actress Lillian Gish joins Studs Terkel to talk about her role in the play “Passage to India.” Gish connects the play based on a book by E. M. Forster to “Uncle Tom’s Cabin,” and discusses the relevance and importance of historical works like those mentioned. Studs asks Gish about working with D. W. Griffith, and the two praise Griffith’s impact on the world of film; Gish comments on her experience with working with Charles Laughton too.