Terkel comments and presents songs and stories from "The Eight Hours"

Viveca Lindfors discusses her roles and the roles of women in society. Includes Viveca Lindfors reciting lines written by Lillian Hellman.

While performing some of their original material, comedians Vic Greco and Fred Willard talk about how they come up with their ideas for their shows. Always the entertainers, and while talking over one another, Greco and Willard explain that most of what they do on stage is improvisation.

Studs Terkel heads to the British town of Stratford-upon-Avon (the birthplace of William Shakespeare) intending to interview Sir John Gielgud, and getting a few words before Studs realizes that Sir John is not intending to be interviewed. He speaks instead to other members of the company. Then he meets Mr. and Mrs. Lawrence in the Falcon Hotel.

Vlado Habunek, the Director of The Croatian National Theater, also a teacher at the University of Zagreb and board member for the Debrovnik Summer Festival discusses how all arts are seeking new revelations with Studs Terkel. Terkel asks Habunek to compare American Actors with Croatian actors because they are subsidized by the state. He sees Croatian actors as too secure and admires the ambition of American actors. The fact that theater reflects life and life is difficult begins a discussion on the status of theater today.

Interviewing producer Harold Pinter and actors Jeff Perry and Gary Sinise. They discuss their careers and present excerpts from Steppenwolf Theatre’s production “The Caretaker.”

Novelist Stanley Elkin has come into town to see Frank Galati's adaptation of Elkin's book, "The Dick Gibson Show." The book has a lot to do with how radio has become a talk show. Various cast members re-enact scenes from "The Dick Gibson Show."

Excerpts of interviews with Simone Signoret (actress and author), Simone de Beauvoir (author), and Francoise Rosay (actress).

In the play, "The Value of Names," Shelley Berman plays Benny Silverman, a role which he says is him, an actor from the Hollywood black list. Berman said being in Chicago, acting the role and working with the cast has been THE best experience of his life and when the show closes, it will be the saddest day of his life. The director of the play, Sandy Shinner, said she knew of the Hollywood black list but didn't know about all the personal stories. There is an excerpt of Vic Navasky.

Shay Duffin discusses and performs excerpts from his one-man play, “According to Mr. Dooley.” Duffin chronicles some background about Mr. Dooley and Brendan Behan and discusses how he found himself interested in portraying these characters. Includes a test tone lasting about 30 seconds that is part of the archival record as a representation of how broadcasters prepped their tape. Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals.

Principal actor Roscoe Lee Browne, playwright Derek Walcott, and director Gregory Mosher discuss the play "Pantomime" and it's major themes of racial role reversal, Robinson Crusoe influences, and colonialism.

Robert Vaughn takes time out from his Drury Lane appearance in "Tender Trap" to discuss his new book "Only Victims" with Studs Terkel. The discussion spans the years 1938 when Martin Dies became the first House Committee on Unamerican Activities (HUAC) chairman to Vice President Spiro Agnew's condemnation of the "New York Times" and "Washington Post". Vaughn created the title of his book "Only Victims" from a Dalton Trumbo speech that reflected back on the era of HUAC as being one where there were no heroes, no villains, only victims.

Actor Robert Morley discusses his career and autobiography, "Robert Morley: A Reluctant Autobiography;" part 2.

Actor Robert Morley discusses his career and autobiography, "Robert Morley: A Reluctant Autobiography;" part 1.

Rich Bailey and Rick Cluchey discuss performing Endgame by Samuel Beckett and Beckett's influence on their careers. Duplicate to file ID 18646. This recording does not include the musical tribute.