Interview with Marcel Marceau
Interviewing Marcel Marceau.
Interviewing Marcel Marceau.
Studs interviews Gilbert Moses about the Free Southern Theatre that performed throughout Mississippi depicting the lives of Southern blacks. Moses describes the audiences and their reactions to the plays and their own participation in acting out their lives.
Studs interviews Gilbert Moses about his play, "Blues for Mister Charlie" and The Free Southern Theater. They discuss a variety of plays that include, "White America," "Roots," and "Blues of Mister Charlie."
An interview with Chester Morris about his role in "Advise and Consent." They discuss theater and stage life for actors. Morris mentions numerous actors and actresses and stage productions. He discusses the business, status, and economics of acting.
Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.
Carol Channing discusses the following with Studs Terkel: her early career; her growth as actor/comedian; her approach to her work; her performance in "Lorelei" as Lorelei; her performance in "Wonderful Town" as Ruth; the job of the understudy; and breaking performance barriers and type casting.
Woody Allen discusses his life and art, the influence of both success and failure on his work, and how he finds comedy in life’s difficulties and trials. He discusses his first screenplay, “What’s Up Pussycat?” and other comedians who have influenced the development of his own comedic work, including Mort Sahl, Charlie Chaplin, the Marx Brothers, and George S. Kaufman.
In this interview Carol Channing discusses her work as artist: comedic timing; live/club performing; her connection with the audience as a performer; theater as a "spiritual world"; the concept of "opening nights"; creation of Mehitabel's (alley cat) voice; "Lorelei", and her ability deliver comedic characterizations and impersonations (such as Marlene Dietrich, Sophie Tucker, and Cecilia Sisson). Included in this interview are excerpts from the "Little Girl from Little Rock", "Madeline and Other Bemelmans", "Shinbone Alley".
Charlotte Chandler discusses biography on Groucho Marx, "Hello, I Must be Going". Includes songs and excerpts by Groucho Marx, such as: "Hello, I Must be Going;" "Hooray for Captain Spaulding;" "Omaha, Nebraska;" "A Day at the Races;" and "Five Marvelous Pretzels." Includes recitation of "Six Flying Hamsters."
Discussing the book "Doing it with style" with the authors Donald Carroll and Quentin Crisp.
This is a re-airing of an interview of Mel Brooks. Brooks discusses his new movie "The Twelve Chairs": audience reactions; critic reviews; how the movie was made; the atmosphere of the crew; the movie plot; and highlights certain particularly satirical moments in the movie. Throughout the interview Brooks performs some impersonations of both real and fictional characterizations of people.
The comedic creative force of Lily Tomlin and Tomlin's comedy writer Jane Wagner discuss the character of Edith Ann as well as the bag lady, Trudy. The comic geniuses discuss with Studs Terkel the new release "Edith Ann: My Life So Far". Tomlin assumes the character of Edith Ann to relay stories of her life in a dysfunctional family as a six year old. Edith Ann writes letters to Rush Limbaugh, Howard Stern, and Senate representatives to get her message heard. She tells the Senator that kids model grownups and grownups need to act better to protect the kids.
Interviewing "Elephant man" cast members Philip Anglin, Ken Ruta and Penny Fuller.
Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.