Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.

Terkel comments and reads letters of ex-convict Jimmy Blake

Paul Angle discusses his book "Crossroads: 1913," and Win Stracke provides a musical review. The three gentlemen talk in depth about the book with live and recorded music interspersed. Music: "Water--Oh!, Water For Me" and "The Rosary." "The Voice of Vienna" (a waltz).

Paul Angle discusses his book "Crossroads: 1913," and Win Stracke provides a musical review. The three gentlemen talk in depth about the book with live and recorded music interspersed. Songs include: "Casey Jones - The Union Scab," "Sweet Adeline," "We Shall Overcome," "Oh, Dear, What Can the Matter Be," and "Immortality" by William Jennings Bryan (1908).

John Cage discusses his music, life, influences, and career. Rebroadcast of an interview with John Cage to celebrate his life and what would have been soon his 80th birthday. Includes a clip of John Cage reading/ telling a story in 1969 to Studs Terkel.

E.Y. (Yip) Harburg and Studs Terkel read from the book "At This Point in Rhyme". E.Y. Harburg also discusses his thoughts on humanity, how to properly write a song, and the importance of light verse and humor as a basis for everything he creates. Excerpts of "Somewhere Over the Rainbow" by Judy Garland, "Brother, Can You Spare a Dime" by the Weavers, and a Broadway recording of "How Are Things in Glocca Morra" are played in the original airing but have been removed from this version for copyright reasons.

Studs Terkel and Billy Taylor discuss the book "Jazz Piano: History and Development". They discuss jazz musicians and the history of jazz music. Includes excerpts of drums, piano, and orchestra playing in the background.

Program includes an excerpt of a 1975 interview with O'Day (T3024.5).

In conclusion, August Derleth, spoke of his biggest influences, Henry David Thoreau and Ralph Waldo Emerson. Derleth believed that one day there would be a renaissance of great literary authors. With regards to playing the sleigh bells in churches, Iris Ford says its like blending something ridiculous to the sublime. Ford, a self-taught sleigh bell player, plays for all types of religious orders. Because playing the music is for God, says Ford, it needs to be exceptional.

Abram Loft discusses his career, his book "Violin and Keyboard", art, and music education. Includes Abram Loft reading a passage from his book "Violin and Keyboard". Includes Abram Loft reading excerpts from newspapers.