Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.

Presenting music and interviewing studio musicians Pat Ferrari, Ron Steele and Jim Crockett editor of Guitar Play Magazine.

Presenting a concert at the Fairmont Hotel with jazz pianist, composer and radio host Ramsey Lewis.

Terkel comments and reads letters of ex-convict Jimmy Blake

Studs Terkel and Dave Garroway intertwine jazz music with conversation. The voices of Doris Day, Peggy Lee, Charlie Ventura, Duke Ellington, Erroll Garner, and Nellie Lutcher are heard between conversations ranging from Garroway's start in radio while in the United States Navy. Garroway discusses the changing technology and the thrill of it. Also includes the progress that has been made in race relations and the death of Duke Ellington.

Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".

Studs interviews Erik Bye about Norwegian immigration to America and his music. They discuss the reasons why people left Norway in the 19th century and the conditions they suffered when they settled in New York. Bye explains Norwegian history and why the Norwegians moved from the American east coast to the west. Studs notes that Bye is in Chicago to gather information to produce a Norwegian television documentary about early Norwegian immigrants. Bye shares his interpretations of some of his songs and explains Norwegian music.

Studs interview with Irishman, Bill Leahy, on the political complexities surrounding Ireland in the 1960s-1970s. Leahy provides some historical background of the IRA and British colonial occupation of Ireland. They discuss Irish music, the Civil Rights Movement in Ireland, and contemporary myths about Ireland. Several Irish songs were played, but many of the titles were not captured. Planksty's music was played twice.