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Changing up the conversation, Win Stracke talks about artists he's admired like Bill Broonzy and Jim Post. According to Stracke, although Broonzy was a blues musician, he liked humor found in songs. Stracke said he really liked Jim Post, who singled out people who were the best at what they did. As a result, Post asked Stracke to record an album of hymns with him.
Studs interviews blues singers Willie Dixon, Sunnyland Slim, and Willie Mae Big Mama Thornton about the blues. They discuss the blues festival in Chicago for which they are all in town for and name other musicians who will be performing. Sunnyland Slim talks about being on the road and the hard times. Thornton describes the blues as music made from life experiences.
Studs Terkel presents a “musical portrait” of Steve Goodman with the musician joining him in the studio to discuss, listen to, and play songs from his album “Words We Can Dance To.” Goodman begins by performing the blues song “Glory of Love,” and Terkel plays a clip from Big Bill Broonzy’s rendition of the song; Goodman cites Big Bill as one of his many influences. Goodman also plays an old jazz song called “When the Red, Red Robin,” with Terkel connecting that song to his first memories of jazz.
Studs interviews Mary Collins about her husband, Lee Collins. They discuss the book that she and Lee wrote together until his death in 1960. Mary shares interesting stories of Lee’s experiences when he toured. She and Studs reflect on the other artists that Lee Collins worked with and those that influenced his music. Mary shares the story of how she and Lee reconnected in Chicago. She explains how Lee’s depression because of his health led to his attempted suicide and the horrible way he was treated at the psychiatric hospital.
In addition to talking about Senegalese music, Gana M'Bow goes over the history of the "talking drum." M'Bow also plays various songs from Senegal and West Africa. Through the State Department, M'Bow was touring various cities across the US.
Terkel comments and presents a eulogy for three non-adjusted men. Broonzy, Big Bill ; Ciardi, John ; Redfield, Robert
Terkel comments and presents a eulogy for three non-adjusted men. Broonzy, Big Bill ; Ciardi, John ; Redfield, Robert
Brownie McGhee and Sonny Terry discuss their careers as blues musicians and longtime collaborators. The close relationship between Terry and McGhee is apparent as they perform a number of original and traditional songs during the interview. Songs have been removed due to copyright.
Brownie McGhee and Sonny Terry discuss blues music, their backgrounds, and their nearly twenty year collaboration. The duo perform several songs during the interview, including: 00:03:32-00:07:32 "Cornbread, Peas, and Black Molasses" 00:08:50-00:11:50 "Climbing on Top of the Hill" 00:12:35-00:14:30 "Uncle Bud" 00:17:39-00:20:49 unknown song 00:25:16-00:28:15 "That's How I Feel" 00:29:23-00:32:02 unknown song
Studs interviews Brother John Sellers about his career and other blues singers. Sellers explains that religion influenced his music as did performers like Mahalia Jackson, Big Bill Broonzy, and Muddy Waters. Studs reads some of the lyrics of blues song, "In the Evening." Sellers describes street singers and blind singers. He describes the music and style of Jackson and Broonzy and some of his own songs. Sellers performs "Talk About A Child" and "Sally Go Round the Sunshine" live on the program.
Art Hodes discusses his history and influences on his career as a jazz and blues pianist. He tells stories of musicians he has worked with and how he keeps his performances fresh after playing for so many years. Music by Art Hodes is played throughout: "Chimes Blues", "Tennessee Waltz", "Grandpa's Spells", "Just a Closer Walk with Thee","Cakewalkin' Babies from Home", "Blues 'N Booze", and "Riverside Blues".