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Experimental filmmaker and poet Willard Maas and his friend John Dubay discuss experimental films and filmmaking, part 2 of 2. John Dubay is featured predominantly in this part of the interview. The second part of the interview focuses less on filmmaking and more on societal ills, wealth inequality, and race relations.
Experimental filmmaker and poet Willard Maas and his friend John Dubay discuss experimental films and filmmaking, part 1 of 2. His friend John Dubay speaks briefly in part 1 of the interview, but is more prominently featured in part 2.
Preacher Will Campbell discusses and reads from his book “Forty Acres and a Goat: A Memoir” and recounts his experience during the Civil Rights movement in the South. Studs plays “His Eye Is On The Sparrow” - Mahalia Jackson (1958).
Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.
Terkel comments and presents songs and stories from "The Eight Hours"
Discussing Ruth St. Denis with her biographer Walter Terry, author of "Miss Ruth : the 'more living life' of Ruth St. Denis."
Photographer and author Walter Rosenblum, and dancer and choreographer Daniel Nagrin discuss art, life, photography, and dance. The two answer the question “What calls one to a life of art?” and other driving factors for artists such as political, social, and economic interests. Studs opens and closes this program by playing an untitled Armenian dance song.
American screenwriter, Walter Bernstein, discusses his book "Inside Out: A Memoir of the Blacklist".
American screenwriter, Walter Bernstein, discusses his book "Inside Out: A Memoir of the Blacklist", a memoir about his life during and following his blacklisted status due to his alleged communist views. Bernstein uses the case of John Henry Faulk versus Laurence A. Johnson to serve as an example of how the entertainment industry was being diminished during this time.
Studs Terkel and playwright Wallace Shawn discuss Shawn’s play “The Designated Mourner,” and the play’s deeper themes. Both Shawn and Terkel read monologues from the play.
Viveca Lindfors discusses her roles and the roles of women in society. Includes Viveca Lindfors reciting lines written by Lillian Hellman.