Folk singer, Mary Travers, of the group Peter, Paul and Mary, talks about music and her career. Music by Peter, Paul and Mary, Pete Seeger, The Weavers and Mary Travers (solo), interspersed throughout the interview. "When The Ship Comes In" "If I had A Hammer" "Tell it on the mountain" "Los Cuatros Generales" "Song of Peace(Finlandia)" "It Will Come To You Again"

Anna Russell discusses her career, beginning in opera, and moving into satirical comedy music performance.

In this interview with Terkel, folk singer-songwriter Arlo Guthrie talks about what influences his songwriting and the new definition of folk music. They touch on the shared experience of humanity, the role of the entertainer in society, and the older generation’s contributions to society. Guthrie expresses a desire to create a music “carnival” where performers and audience members both participate together. Guthrie also discusses how he began playing the banjo, and Studs comments on how Arlo has grown as a musician since his father's, Woody Guthrie, death.

Studs Terkel and Dave Garroway intertwine jazz music with conversation. The voices of Doris Day, Peggy Lee, Charlie Ventura, Duke Ellington, Erroll Garner, and Nellie Lutcher are heard between conversations ranging from Garroway's start in radio while in the United States Navy. Garroway discusses the changing technology and the thrill of it. Also includes the progress that has been made in race relations and the death of Duke Ellington.

Interviewing singer and storyteller Anndrena Belcher.

Studs interviews Allen Stone, Steven Larson, and Judith Erickson about the opera, "Regina," playing at the Chicago Opera Theater. They describe the variety of music and dances in the opera. Stone, Larson, and Erickson name the cast and their roles and describe the characters. Each share how they came to be in theater. Stone explains how the company started. Larson describes the orchestra and the chorus. Erickson reads some of the lyrics of the aria, "The Best Thing of All," at the end of act one. Stone, Larson, and Erickson read various lines from the opera.

Studs interviews John Eliot Gardiner about his career in baroque music and his background and interests. Studs announces that Gardiner is performing at Orchestra Hall in Chicago. Gardiner explains the instruments that his group uses and how they are different and capture the original sounds of pieces. He also describes the history and time period of baroque music. Gardiner explains various pieces that the choir performs such as Handel's "Israel in Egypt" and Henry Purcell's "King Arthur." The musical numbers are removed from this edited version of the original recording.

Studs interviews Abraham Chasins about his book, “Leopold Stokowski: A Profile.” They discuss Stokowski’s life in great detail as they discuss different parts of the book. Chasins describes the amazing career and life of Stokowsky who revolutionized the symphony orchestra. Studs reads a few excerpts from the book. Chasins shares some background behind some of the stories from his book. Studs and Chasins discuss the various orchestras Stokowsky worked with. Chasins notes that Stokowski taught his audience how to behave and never used a baton when he conducted.

Studs presents a tribute to singer, actor, athlete, author and civil rights crusader Paul B. Robeson. Studs talks about his personal memories, the social impact and music of Paul Robeson. Excerpts from 1925362-4-1 Mr Robeson' friends recall memories of him: Earl Dickerson one of the 1 st black aldermen of Chicago, J. Mayo "Ink" Williams football player, Studs Terkel, Claudia Cassidy(1925655-4-1), Eddie Balchowski, Veteran, painter, poet(1934701-3-1) Includes excerpts from 1925362-4-1 and music. Similar to 1925362-3-1, but not identical. 01/23/1976 date of death.

Interviewing singer and storyteller Anndrena Belcher.

Interviewing singer and storyteller Anndrena Belcher.

Jennie Tourel discusses her career with some comments by her accompanist Simon Sargon.

Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.