Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.

Studs discusses the life and work of Irish playwright, critic, and political activist George Bernard Shaw with historian and biographer Stanley Weintraub, editor of "Shaw: An Autobiography Selected From His Writings." The focus of the interview is Weintraub's book "Journey to Heartbreak: The Crucible Years of Bernard Shaw 1914-1918", including a lengthy discussion of Shaw's views on war. Excerpts are heard from recordings of Shaw himself, as well as of Charles Laughton reading from Shaw's "Don Juan in Hell."

Robert Vaughn takes time out from his Drury Lane appearance in "Tender Trap" to discuss his new book "Only Victims" with Studs Terkel. The discussion spans the years 1938 when Martin Dies became the first House Committee on Unamerican Activities (HUAC) chairman to Vice President Spiro Agnew's condemnation of the "New York Times" and "Washington Post". Vaughn created the title of his book "Only Victims" from a Dalton Trumbo speech that reflected back on the era of HUAC as being one where there were no heroes, no villains, only victims.

Martin Duberman, historian and biographer, discusses his latest work which focuses on the singer, actor, and political activist Paul Robeson. Robeson was known for his performance in Showboat and Emperor Jones.

Discussing the Regal Theater with actor and theater historian John Keyes.

Welsh scholar Dr. M. Merchant spoke about the arts and its impact on other arts and artists. Merchant said "King Lear" was Shakespeare's greatest work. Merchant also pointed out the dialogue in "As You Like It," is akin to the parable of the prodigal son. Toward the end, there is an excerpt of Sir John Gielgud in Shakespeare's "Measure for Measure."

Drama historians and professors Dr. Emmett L. Avery of University of Washington and Dr. Arthur H. Scouten of University of Pennsylvania discuss the Restoration Comedy period of theater in England. The two served as editors of a twelve-volume collection that documents this period of theater in England. In this interview, the two discuss the cultural standards of the time, including how this period was when women were first allowed to be actors in productions. Studs plays "Concerto grosso in C Major, HWV 318 "Alexander's Feast": I. Allegro" - Philomusica of London (1960).

Nick Rudall talks about directing his 7th play by George Bernard Shaw. Three cast members, Daria Martel, Tom Amandes and David New are part of the interview, too. The actors reenact various scenes of the play. Rudall explains Shaw wrote "Candida" as a way to sort through his complicated feelings with a woman.

Discussing American musical films with cinema historian Albert Johnson.