Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.

Welsh scholar Dr. M. Merchant spoke about the arts and its impact on other arts and artists. Merchant said "King Lear" was Shakespeare's greatest work. Merchant also pointed out the dialogue in "As You Like It," is akin to the parable of the prodigal son. Toward the end, there is an excerpt of Sir John Gielgud in Shakespeare's "Measure for Measure."

Drama historians and professors Dr. Emmett L. Avery of University of Washington and Dr. Arthur H. Scouten of University of Pennsylvania discuss the Restoration Comedy period of theater in England. The two served as editors of a twelve-volume collection that documents this period of theater in England. In this interview, the two discuss the cultural standards of the time, including how this period was when women were first allowed to be actors in productions. Studs plays "Concerto grosso in C Major, HWV 318 "Alexander's Feast": I. Allegro" - Philomusica of London (1960).

Nick Rudall talks about directing his 7th play by George Bernard Shaw. Three cast members, Daria Martel, Tom Amandes and David New are part of the interview, too. The actors reenact various scenes of the play. Rudall explains Shaw wrote "Candida" as a way to sort through his complicated feelings with a woman.