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Showing 1 - 5 of 5 results

Artists Theology, Religion, Religious Organizations
  • Race relations

    Studs Terkel discusses race relations and economic disparity with four Chicago area women ; part 1

    Jan. 27, 1965

    Studs discusses race relations and economic disparity with four Chicago area women in a program entitled "Each of us can act". This recording was the last of a 6-part series, "Rearing the Child of Good Will", broadcast under the auspices of the National Conference of Christians and Jews.

  • Race relations

    Studs Terkel discusses race relations and economic disparity with four Chicago area women ; part 2

    Jan. 27, 1965

    Studs discusses race relations and economic disparity with four Chicago area women in a program entitled "Each of us can act". This recording was the last of a 6-part series, "Rearing the Child of Good Will", broadcast under the auspices of the National Conference of Christians and Jews.

  • William Cooley

    Studs Terkel discusses church architecture with William Cooley and Martin Marty

    Apr. 27, 1965

    Studs Terkel discusses church architecture William Cooley, a church architect, and Martin E. Marty, a theologian and scholar at the University of Chicago.

  • Interview with Harold Rubin, Barno Hughes and Carl [J.?] Douglas Fuchs

    1963

    Interviewing Barno Hughes, Harold Rubin, Carl Douglas Fuchs : Studs Terkel in South Africa.

  • Studs Terkel talks with artist Gene Hall and Dr. Paul Mundy about the painting "The Black Christ Not Worthy of Its Cross"

    Sep. 21, 1965

    Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.

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