Studs Terkel interviews Valentin Pluchek and Stanislaw Pchenikov on Russia theater, focusing mainly on the city of Moscow.

Tribute to Bill Leonard

Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.

Terkel comments and presents German Lach und Schiess Gesellschaft (political cabaret). Freilien Margo Schtega is the interpreter for Sammy Drechsel. However, Terkel comments that Sammy understands him 'just fine'.

Studs Terkel discusses Russian theater with Stanislaw Pchenikov and Theater director Valentin Nikolaevich Pluchek.

Soviet intellectuals Tamara Mamedova, Nicolai Pogodin, and Anatol Safronov talk with Studs Terkel about their work with the Institute for Soviet-American Relations (U.S.) and Soviet arts and culture.

Political comedian and reporter Sammy Drechsel and actor Jurgen Scheller discuss Germany and their work. The exchange is aided by interpreter Margot Steeger. Part 2 of 2.

Political comedian and reporter Sammy Drechsel and actor Jurgen Scheller discuss Germany and their work. The exchange is aided by interpreter Margot Steeger. Jurgen Scheller joins the conversation towards the end of this recording. Part 1 of 2.

Interviewing British dramatist-novelist Michael Frayn.

Having been a Lincoln biographer for a quarter of a century, Herbert Mitgang felt the importance of writing the play "Mister Lincoln: A Drama in Two Acts". Lincoln's rich language can be heard through Mr. Mitgang''s dramatic interpretation of Lincoln's life.

Otto Friedrich discusses his "Time" magazine piece, his writing, and American history. Songs "Yankee Doodle Dandy," "Free America" by Joseph Warren, a German song, an 18th century Boston Tea Party song, and an 18th-century British soldier song have been removed for copyright restrictions.

Arnold Wesker, English playwright and writer in several genres discusses scenes from the play "Roots". Mr Wesker further discusses his plays and the current cast traveling around England performing several of his plays. The interview tape ends and Studs recalls the remainder of the interview alone as a postscript.