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Tribute to Bill Leonard
Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.
Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.
Terkel delves into the life of Frank Norman, a London ex-con who turned his life around and became a novelist and playwright by writing on his experiences. He wrote "Bang to Rights" shortly after his prison release which brought him great fame. He followed that with "The Monkey Pulled it's Hair" that had a U.S. release under the name "Don't Darling Me Darling". Norman opened up to Terkel discussing his illegitimacy, his illiteracy till age 14, his institutionalization in an orphanage which he turned into the novel "Banana Boy".
Ten years ago, explained Robert Brustein, not for profit theatres were starting to pop up. Brustein was optimistic about these new theatres being available in communities as a way of offering culture. Theatres will not be funded though, because President Reagan cut federal funding to theatres in half. In addition, the National Endowment for the Arts was not growing fast enough to assist all theatres involved.
Art critic Linda Winer discusses her Chicago Tribune series on Cuba social culture and political conditions, especially in regards to dance companies. Studs plays a live version of "Guantanamera" - Pete Seeger (1963), "Canto Para Elegua" - Grupo Folklorico de Cuba, and “Canto a Wamba” - El Conjunto Experimental Santero.
John Lahr discusses celebrities, the media, and his book "Autograph Hound". Includes Studs Terkel and John Lahr reading from Lahr's book "Autograph Hound".
In the first part of this program Studs Terkel discusses French theater with critic Jean Vilar. In the second part, Studs and Eugène Ionesco discuss Ionesco’s work and the Theater of the Absurd.
Interviewing author, theater critic and director Robert Brustein.
Joachim Kaiser discusses critiquing German music and how the music scene in Germany has changed. Studs Terkel in Germany.
Discussing the novel "Hot to Trot" and interviewing the author and drama critic John Lahr.
Discussing the collection of drama criticism "Astonish me" and interviewing the drama critic John Lahr.