Geoffrey Bridson and his wife Joyce, discuss his book "Prospero and Ariel: The rise and fall of radio a personal recollection.", as well as his life and career as a producer/broadcaster for BBC radio. The interview is interspersed with several excerpts from recordings: Excerpt of conversation at the home of Bridsons in England 1962. He talks about the play "Aarons field" and the sequel "Aarons Fallout shelter". Excerpt from Joyce Bridson backstage after the play "Oh what a lovely war" in New York.

Ivy Compton Burnett continues the discussion of class structure in England in part 2. Ms Compton- Burnett, shares with Studs that she has never been a actor she had always been an observer, and he agrees that her writing reflects that accurately. He ends the interview by telling Ms Compton-Burnett that she is a true original and that he greatly admires her individuality end 13:00. Studs then begins interview with Peter Hall at Aldwych theater office London, England. Mr Hall is the director of both the Aldwych and Stratford theaters, and director of the Royal Shakespeare Company.

Director John Hirsch discusses and analyzes his interpretation of Shakespeare’s “Hamlet” with Studs Terkel during a party for the Stratford Theater Company. Hirsch calls “Hamlet” a pessimistic play, commenting on Shakespeare’s depiction of society and the nature of the characters. He also says that the play’s complexities allow for several interpretations and understandings of the work, which contributes to his bare and simple production of Hamlet. The two discuss Hirsch’s production of “Mother Courage” and how current events and personal experiences influence Hirsch’s work.

Music producer John Hammond and jazz critic for Down Beat magazine John McDonough discuss: Hammond's career; the artists he worked with; the artists he was the first to sign; social reform; and more. The following musical excerpts are played: "7 Come 11"; "Sauce"; "Talking Union"; "Blowing In the Wind"; "Today I Sing The Blues"; and "Live Embers".

Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".