Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.

Studs interviews Wolfgang Rubsam who is performing at the St. Clements Catholic Church in Chicago. They discuss the sounds of the harpsichord, piano, and organ. Rubsam explains how the organ builder and the acoustics in a church affects the sound of the organ. Rubsam talks a little about various teachers he has had and the things he learned from each. The musical numbers are removed from this edited version of the original recording.

Studs interviews blues singers Willie Dixon, Sunnyland Slim, and Willie Mae Big Mama Thornton about the blues. They discuss the blues festival in Chicago for which they are all in town for and name other musicians who will be performing. Sunnyland Slim talks about being on the road and the hard times. Thornton describes the blues as music made from life experiences.

American composer William Schuman discusses his career as a composer and music educator at the Juilliard School.

Discussing the book "Blue highways: a journey into America" with William Least Heat Moon.

Now being a professional playwright, William Gibson talked about being able to write one of his plays in 8 days. A lot of the discussion is about his play, "The Miracle Worker". After reading one of Annie Sullivan's letters, and learning about a battle royale that Sullivan had with Helen Keller, Gibson envisioned what that battle royale would look like. It became a now famous part of the play.

Author William Bradford Huie discusses his book "Three Lives for Mississippi;" reads passages from book.

William Ball discusses the American Conservatory Theater in Pittsburg, PA. They discuss in great detail how different the company is. Specifically that they keep themselves learning and perfecting the classic style. Dick Christiansen theater and film critic joins the conversation.

Wilfred Burchett (an Australian journalist) discusses his journalism career. He was reporting conflicts in Asia (North Korea, Vietnam, China and Japan) and their Communist supporters. He speaks briefly about his experiences in Nazi Germany and concentration camps. Towards the end of the interview he talks about his interest in learning and reporting more about the new euro-communism (prominent in Italy, Spain and France).

Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.

Vine Deloria discusses Native American rights and history focusing on treaties formed and broken by the United State government. Original recording 1965063-3-1 includes music by Buffy Sainte-Marie.

Vine Deloria discusses his book "The Metaphysics of Modern Existence", religion, ethics, Native Americans, Native American culture, and Native American history. Includes a previous interview with Vine Deloria at O'Hare Airport.

In addition to talking about the film "Passage to India," Victor Banerjee, also talks about Gandhi and India's class system. Included in this interview are excerpts of Satyajit Ray and Shanta Gandi.

Studs Terkel interviews Valentin Pluchek and Stanislaw Pchenikov on Russia theater, focusing mainly on the city of Moscow.