Studs Terkel continues to interview actress and singer Eartha Kitt. Part 2 of the interview begins with the song "Üsküdara", and ends with "Mountain High, Valley Low", both sung by Kitt. Kitt discusses the following; her career; her desire to entertain; her autobiography, "Thursday's Child"; her mothers death; the art of interacting with the audience; the femme fatale; her time with the Katherine Dunham Dancers; and her portrayl of Helen of Troy.

Studs Terkel interviews actress and singer Eartha Kitt. The program begins with a musical selections sung by Kitt, "C'est Si Bon". Kitt discusses the following; her career; how the songs she sings are interpreted and preferred by people of different nationalities; what led her to be an international star; her childhood; her meeting with Albert Einstein;

When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.

Part 2 of the program continues with Dizzy Gillespie discovering the following: his jazz style; his interactions with other musicians; and his latin musical influences. The following Gillespie musical excerpts are played: "Tin Tin Deo"; "La Lorraine"; and an musical piece (with an undisclosed title) is played to end the program.

Part 1 of this program begins with Studs Terkel reading an excerpt from the book "Giants of Jazz" , which describes Dizzy Gillespie's early life. Gillespie discusses the following: the state of jazz; his fellow musicians; jazz contributors; jazz fundamentals; and his tours abroad. Gillespie's "Groovin' High" is played towards the end of this part of the program.

Cole Porter biographer Robert Kimball talks with Studs about his book "Cole" and his subject's life and work as they listen to classic performances of some of his most beloved songs. They marvel at how Porter perfectly captured the zeitgeist of the times in his lyrics, his lyrical influences, his unique method of outside-in composing lyrics and music simultaneously, Bobby Short's masterful interpretations, controversies over some of his works, and how well his material holds up.

Studs Terkel speaks with Charles Mingus about his life and work in the context of his autobiography "Beneath The Underdog".

Brick Top discusses her career, her colleagues, and the jazz scene.

Studs interviews Bobby Short, an African American composer, vocalist, and pianist. Short describes his performances and interpretations of songs by Ira Gershwin, Cole Porter, Noel Coward, and George Gershwin. Studs reads a letter written to short from Coward requesting that Short sing his songs. Studs and Bobby discuss composer and singer styles. The musical pieces are removed from this edited version of the original recording.

Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".

Barrett Deems discusses his upbringing where he began drumming at age 4 and recalls touring with Louis Armstrong and other musicians. He also talks about meeting drummers in Africa. Music is played throughout: "Flip"- Joe Venuti, "Shine"- Barrett Deems Hottet, "Now You Has Jazz"- Bing Crosby and Louis Armstrong (from "High Society"), "Muskrat Ramble"- Louis Armstrong, "Struttin' with Some Barbecue"- Louis Armstrong, "Slipped Disc"- Benny Goodman, "Stompin' at the Savoy"- Louis Armstrong. Music has been removed from this recording for copyright reasons.

Aaron Copland discusses his music, his colleagues, contemporaries, musicians, and composers.