Zero Mostel discusses the play "Rhinoceros" and acting theory ; part 1
Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.
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Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.
William Ball discusses the American Conservatory Theater in Pittsburg, PA. They discuss in great detail how different the company is. Specifically that they keep themselves learning and perfecting the classic style. Dick Christiansen theater and film critic joins the conversation.
Studs Terkel interviews Valentin Pluchek and Stanislaw Pchenikov on Russia theater, focusing mainly on the city of Moscow.
Robert Morley, stage and screen actor, starring in Ustinov's "Halfway Up the Tree," discusses education, technology and youth and the changes in the social makeup because of technology.
Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.
Playwright Tennessee Williams discusses his play "The Night of the Iguana," which was currently playing at the Blackstone Theatre in Chicago. The conversation takes place in Mr. Williams' room at the Blackstone Hotel.
Vlado Habunek, the Director of The Croatian National Theater, also a teacher at the University of Zagreb and board member for the Debrovnik Summer Festival discusses how all arts are seeking new revelations with Studs Terkel. Terkel asks Habunek to compare American Actors with Croatian actors because they are subsidized by the state. He sees Croatian actors as too secure and admires the ambition of American actors. The fact that theater reflects life and life is difficult begins a discussion on the status of theater today.
Studs Terkel discusses Russian theater with Stanislaw Pchenikov and Theater director Valentin Nikolaevich Pluchek.
Rilla Bergman, Lou Fant, and Bill Reese converse with Studs about The National Theater for the Deaf and the production they are presenting. Two of the actors Ms. Bergman and Mr. Reese discuss what it took to learn, as hearing people, the best ways to express themselves with sign language. They all talk about how much more expressive the actors in the Deaf Theater have to be to convey the message of the piece they are presenting.
Terkel interviews actor/director Sam Wanamaker. They talk about his latest production of Macbeth at the Goodman Theater. This interview is done in two parts.
Terkel interviews actor/director Sam Wanamaker. They talk about his latest production of Macbeth at the Goodman Theater. This interview is done in two parts.
Renowned soprano, Madame Rosa Raisa discusses her career, early training, Chicago debuts, travels, teaching, and hobbies post opera.
Studs Terkel interviews Rita Streich about her recital coming up. He also plays selections from her work for viewers to listen to. She also talks about music during World War II.
Rita Moreno talks about her own Puerto Rican ethnicity and how it relates to her role as Anita in West Side Story.