Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.

Studs interviews Wolfgang Rubsam who is performing at the St. Clements Catholic Church in Chicago. They discuss the sounds of the harpsichord, piano, and organ. Rubsam explains how the organ builder and the acoustics in a church affects the sound of the organ. Rubsam talks a little about various teachers he has had and the things he learned from each. The musical numbers are removed from this edited version of the original recording.

Studs interviews blues singers Willie Dixon, Sunnyland Slim, and Willie Mae Big Mama Thornton about the blues. They discuss the blues festival in Chicago for which they are all in town for and name other musicians who will be performing. Sunnyland Slim talks about being on the road and the hard times. Thornton describes the blues as music made from life experiences.

Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.

Interviewing Russian pianist and DePaul University Professor Vladimir Leechkis.

Interviewing the cast of the musical revue "Suburbs of Heaven," songwriter Thom Bishop, singers Marty Peifer and Megon McDonough. Songs include "Mr. Arthur's Place," "Why Not Talk to Me?" "The Telephone Song," "Just Because You Didn't See Me," "Suburbs of Heaven," "Times I Tried to Love You," "Amateur Night/New Year's Eve," and "Somebody Feels the Water."

Maxene Andrews reminisces over Andrews Sisters songs with Studs Terkel. She acknowledges the heavy influence the Boswell Sisters played in the creation of their image. She relays musical stories surrounding songs in Abbott and Costello such as "Bugle Boy" from their movie "Buck Privates". How they found the song "Mir Bist Du Schon" and Sammy Cahn and Saul Chaplin helped with the lyrics. How song pluggers brought The Andrews Sisters "Tip-Pi-Tin". How "Apple Blossom Time" helped an injured soldier at Oak Knoll Hospital upon his return to the states.

Presenting music with Pierre Bensusan.

Studs Terkel interviews soprano Teresa Stich-Randall. This is an interview done in two parts.

Studs Terkel interviews soprano Teresa Stich-Randall about her musical performances of Don Giovanni. Some of the interview is spoken in German.

Soprano Teresa Stich-Randall continues to talk about how much she loves music. When asked what her favorite role was, she didn't have an answer because she loves them all. Stich-Randall explained that the love of music, it's a international language. Even when people speak different languages, the love of music, is universal.

Soprano Teresa Stich-Randall said she spent the last 12 years on tour, mostly on the European continent. Stich-Randall said her mother prayed for a baby girl could become an opera singer. Her piano teacher guided Teresa until she was 10 years old and then she entered into the conservatory of music

Studs Terkel comments on folk music entertainers Stever Goodman and John Prine. He discusses a little about their life and names a variety of their song titles. The musical performances have been erased from this edited version of the recording. Includes an excerpt from a previous interview with John Prine who speaks about his grandfather and a song he wrote about him.

Son House discusses his life and career as a preacher and blues musician. He talks about his family, his religious background as a preacher, and his recent comeback after disappearing from music scene in 1943. He performs several songs during the interview, which have been removed due to copyright.