Experimental filmmaker and poet Willard Maas and his friend John Dubay discuss experimental films and filmmaking, part 1 of 2. His friend John Dubay speaks briefly in part 1 of the interview, but is more prominently featured in part 2.

Wilfred Burchett (an Australian journalist) discusses his journalism career. He was reporting conflicts in Asia (North Korea, Vietnam, China and Japan) and their Communist supporters. He speaks briefly about his experiences in Nazi Germany and concentration camps. Towards the end of the interview he talks about his interest in learning and reporting more about the new euro-communism (prominent in Italy, Spain and France).

American jazz cornet player Wild Bill Davison known for his wild ways, discusses his career in jazz music and life in Chicago. Davison rubbed elbows with all the Chicago bigwigs from Al Capone to jazz legends such as Fats Waller.

Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.

Warren Farrell discusses his book "Beyond Masculinity." He discusses women's liberation and men's liberation. Includes clip of Caroline Bird discussing women's liberation.

Studs Terkel interview with Wanda Wilkomirska about her life as a violinist. They discuss her childhood and her musical family. Wilkomirska talks about the people and music that influenced her, and she describes the differences in audiences between large cities and smaller ones. She expresses her deep love for music and her need to play her music with emotion. Music performances are cut from this particular recording with Wanda Wilkomirska. Studs quotes Ray Erickson, critic from the New York Times and discusses other critiques of her work.

Writer and critic Walter Kerr discusses his book "The Silent Clowns," about the film era's greats including Charlie Chaplin, Buster Keaton, Harold Lloyd, Raymond Griffith, and Harry Langdon. Studs begins by reading an excerpt from James Agee's "Death in the Family" with music in the background followed by Kerr reading from his book. They begin talking about how silent films affected the audience, lesser known stars Lloyd Hamilton and Charley Chase, and then analyze several famous Charlie Chaplin scenes to assess the complex nature of his characters.

Discussing the book "Who Owns America?" and interviewing the author Walter J. Hickel, who became Governor of Alaska and Secretary of the Interior.

Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Wallace Terry felt it was an important mission to tell people about the Black men who fought in Vietnam. There are stories from 20 men.

Studs Terkel and playwright Wallace Shawn discuss Shawn’s play “The Designated Mourner,” and the play’s deeper themes. Both Shawn and Terkel read monologues from the play.

W.H. Ferry discusses his article "Masscomm as guru" regarding mass communication outlets including newspapers, television, and radio, and their ethical responsibility to teach the public about social issues rather than only present them with current news.