Studs interviews Christopher Durang, playwright, about his plays. "A History of the American Film" is the highlight of the interview, which is playing at the Heron Theater in Chicago. Durang describes parts of the play and it's characters. He explains that it portrays the different eras and famous moments of movies and references real actors and actresses. Durang reads several times from the play, but all musical numbers are removed from this edited version of the original recording.
Norman Wallace discusses his music career. Norman Wallace discusses his occupations as a pianist and a songwriter.
Political comedian and reporter Sammy Drechsel and actor Jurgen Scheller discuss Germany and their work. The exchange is aided by interpreter Margot Steeger. Jurgen Scheller joins the conversation towards the end of this recording. Part 1 of 2.
Musical theater and television actress/comedienne Kaye Ballard discusses her role as Helen in the 1954 American opera The Golden Apple, musician and writer John La Touche, her family, her accompanist Arthur Siegel and their mutual love for the Peanuts comic strip, the parakeet sketch she wrote with Mel Brooks, her background in burlesque and vaudeville, and her comic and musical inspirations.
Terkel Talks with known English Dramatist Sir Arnold Wesker (part 1) about the economy of England. The talk begins with the subject of apprenticeship. This is a two part interview.
Political comedian and reporter Sammy Drechsel and actor Jurgen Scheller discuss Germany and their work. The exchange is aided by interpreter Margot Steeger. Part 2 of 2.
This lighthearted interview with actor, director and author Victor Spinetti is juxtaposed by the September 5, 1975 bombing of the London Hilton, which took place mere hours beforehand and "two blocks away," according to Studs. The two discuss Spinetti's Welsh background, acting and comedy with nervous energy against a backdrop of gunshots and bomb threats.
Discussing "The Understudy : a Novel" and interviewing Elia Kazan.
Zero Mostel talks about acting theory, French and American theater differences, and the reflection of art in society.