Rosa Raisa reflects on her career and her time in Chicago
Renowned soprano, Madame Rosa Raisa discusses her career, early training, Chicago debuts, travels, teaching, and hobbies post opera.
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Renowned soprano, Madame Rosa Raisa discusses her career, early training, Chicago debuts, travels, teaching, and hobbies post opera.
Harold Prince discusses his direction of Madame Butterfly while also discussing operas, musicals, and theater in general.
Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, and associates of Ballet russes.
Celebrated young tenor Giuseppe Sabbatini discusses his upcoming performance as Alfredo in "Traviata" at the Lyric Opera as well as beginnings, church music, debuts with little/no rehearsal and more.
Placido Domingo discusses his career as a tenor singer and conductor, including his role in the film "Otello" directed by Franco Zeffirelli and based on the opera by Giuseppe Verdi.
Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".
Renee Fleming discusses her musical upbringing, her repertoire, her relationship to performance, and more.
Russian composer Alexander Tcherepnin discusses his travels to China & Japan and their influence on his music, composing for non-traditional instruments, electronic music, teaching young composers, and his "Concerto No. 2".
Studs interviews John Eliot Gardiner about his career in baroque music and his background and interests. Studs announces that Gardiner is performing at Orchestra Hall in Chicago. Gardiner explains the instruments that his group uses and how they are different and capture the original sounds of pieces. He also describes the history and time period of baroque music. Gardiner explains various pieces that the choir performs such as Handel's "Israel in Egypt" and Henry Purcell's "King Arthur." The musical numbers are removed from this edited version of the original recording.
Studs Terkel interviews Birgit Nilsson during her time playing Leonore in Fidelio.
Claudia Cassidy discusses being a critic of theater and opera etc. Cassidy also discusses her writing and journalism aspirations.
Claudia Cassidy discusses being a critic of theater and opera etc. Includes about 1.5 minutes of another interview.
Joachim Kaiser discusses critiquing German music and how the music scene in Germany has changed. Studs Terkel in Germany.