Brick Top discusses her career, her colleagues, and the jazz scene.

Discussing the music of the Mothers of Invention and interviewing Frank Zappa. Songs include "Who are the Brain Police," "Brown Shoes Don't Make It," "Concentration Moon," "Mom and Dad," "Bow Tie Daddy," "Harry, You're a Beast," "What's the Ugliest Part of Your Body?" "Trouble Every Day," "Very Distraughtening," "White Ugliness" and "There Will Come a Time."

Poet Maya Angelou and journalist Tom Wicker discuss life in the U.S. South and how the region’s history has shaped its culture. Topics of discussion include social dynamics and race in the South, the concept of “home” and what it means to return to one’s roots, and religion in the South. Angelou reads excerpts of her poetry, including “Still I Rise” and “Phenomenal Woman,” and shares spiritual songs from her childhood.

Studs Terkel presents a program in honor of the birthday of abolitionist and African American leader Frederick Douglass, including excepts from Terkel's 1964 interview with African-American scholar, author and social historian Lerone Bennett. Terkel reads at length from Douglass' autobiography, "My Bondage and My Freedom," focusing on Douglass' interactions with slave owners Hugh and Sophia Auld.

Presenting "Hard Times: An Oral History of the Great Depression" Chapter 3: Big Business & A Portrait of Two Women. William Benton credits Pepsodent's survival of the Great Depression to Amos 'n Andy. Arthur Robertson talks about the initial aftermath of the 1929 crash as a Wall Street businessman. Sidney Weinberg discusses the confusion on Wall Street after the crash and praises FDR's programs. Jimmy McPartland talks about the importance of working and the success of WPA to boost morale.

Muhammad Ali discusses his book "The Greatest: My Own Story," touching on topics including his childhood and family, conversion to Islam, stance on the Vietnam War, and experiences in jail. After the conversation with Ali ends, the second half of the program consists of music by Billie Holiday ("God Bless the Child"), Jimmy Rushing ("Going to Chicago"), Nina Simone ("Children Go Where I Send You"), Count Basie, Alan Lomax ("Little John Henry"), Dinah Washington ("Willow Weep For Me"), and Duke Ellington ("East St. Louis Toodle-Oo").

Discussing the book "Manchild in the Promised Land" with Claude Brown. Brown also discusses growing up in Harlem, New York as an African American man. Includes a clip of a man speaking from the county jail. Includes a song sung by Mahalia Jackson. Includes a clip of children singing.

Cole Porter biographer Robert Kimball talks with Studs about his book "Cole" and his subject's life and work as they listen to classic performances of some of his most beloved songs. They marvel at how Porter perfectly captured the zeitgeist of the times in his lyrics, his lyrical influences, his unique method of outside-in composing lyrics and music simultaneously, Bobby Short's masterful interpretations, controversies over some of his works, and how well his material holds up.

Janis Ian discusses her career, life, and her songs. The songs she talks about are "Society's Child", "Janey's Blues", "Honey D'Ya Think", "There Are Times", "Shady Acres", and "Lonely One". Janis Ian also discusses society, race relations, and responsibility. Includes Studs Terkel reading Janis Ian's poem "Poem One". Includes Janis Ian reading her poem.

Includes excerpts from 1925362-4-1 and music. Similar but not identical to 1925371-3-1.

Recorded live on Chicago's South Side. Robeson is ill at the time of recording. Speakers: Earl Dickerson, Etta Moten Barnett, Judge Sidney Jones, J. Mayo "Ink" Williams, Joan Brown (possibly Abena Joan Brown), Charles Hamilton, Margaret Burroughs, [John Gray's sister], [Stevens?]