Presenting music with music producer (impresario) John Hammond. The following topics were discussed: various recordings; his encounters with famous jazz musicians; the first time he met Billie Holiday; the song "Strange Fruit"; improvisation; racial reform; Bessie Smith's death; and uniting rural and urban artists. The following musical excerpts were played: "7 Come 11"; "This Years Kisses"; "Lady Be Good"; "Young Woman's Blues"; "What More Can Jesus Do"; and "Piney Brown Blues".

Interviewing ragtime pianist-composer Eubie Blake, Bill Bolcolm and Bob Kimball. They discuss the musical "Shuffle Along." Songs include "Gee I'm Glad I'm From Dixie," "Dream Rag," "Brittwood Rag," "He May Be Your Man," "Brass Knuckles," and "Memories of You."

Louis Armstrong discusses music and traveling as a musician.

Studs Terkel and Billy Taylor discuss the book "Jazz Piano: History and Development". They discuss jazz musicians and the history of jazz music. Includes excerpts of drums, piano, and orchestra playing in the background.

Part 1 of this program begins with Studs Terkel reading an excerpt from the book "Giants of Jazz" , which describes Dizzy Gillespie's early life. Gillespie discusses the following: the state of jazz; his fellow musicians; jazz contributors; jazz fundamentals; and his tours abroad. Gillespie's "Groovin' High" is played towards the end of this part of the program.

Singer Harry Belafonte discusses Black music including spirituals and jazz and how it has contributed to American culture.

Studs interviews Phyl Garland about her book "Sound of Soul." They discuss the history of music and how black music influenced white music. Studs reads a quote from her book where she quoted Lerone Bennett. Garland also reads from her book a few times. They discuss how music changed over time for blacks from spirituals to slave songs to the blues because it was a reflection of their lives. Garland explains how blacks used music to help them through their trials and frustrations.

Muhammad Ali discusses his book "The Greatest: My Own Story," touching on topics including his childhood and family, conversion to Islam, stance on the Vietnam War, and experiences in jail. After the conversation with Ali ends, the second half of the program consists of music by Billie Holiday ("God Bless the Child"), Jimmy Rushing ("Going to Chicago"), Nina Simone ("Children Go Where I Send You"), Count Basie, Alan Lomax ("Little John Henry"), Dinah Washington ("Willow Weep For Me"), and Duke Ellington ("East St. Louis Toodle-Oo").

Studs interviews jazz and pop critic, and founding editor of "Rolling Stone" magazine, Ralph Gleason while in Berkeley, California (3 parts). Topics include the history of jazz, blues, and jazz culture, and how race played in the development and distribution of the music. Songs include Louis Armstrong's "(I'll Be Glad When You're Dead) You Rascal You."

In Berkeley, Calif., Ralph Gleason, jazz and pop critic, and founding editor of Rolling Stone, talks with Studs about the history of jazz and jazz artists. They talk in depth about Billie Holiday, white performers who imitated the style of black jazz singers, and jazz festivals. Songs include Holiday's "Them There Eyes" and "God Bless the Child."

Max Morath discusses his career, jazz music, and history.

Terkel comments and presents a musical performance by Wynton Marsalis

Studs interviews Phyl Garland about her book "Sound of Soul." They discuss various musicians that she mentions in her book and their influence on black music. Garland explains the music of young black artists and how commercialization of music gave blacks an opportunity that they would not have had otherwise. Garland talks about how Fannie Lou Hamer used music to express her message in the Civil Rights Movement and as a women's rights activist. Studs and Garland discuss various black female artists and their music.