Studs engages the former Chicago Symphony Orchestra conductor, Sir Georg Solti, in a wide-ranging conversation about his life and career. From his early studies in Budapest with Béla Bartók, his string of good-luck opportunities before, during, and after World War II, meeting Toscanini in Lucerne, and starting on top conducting in Frankfurt, London, and finally Chicago. He discusses his many German and European musical influences and contemporaries, and stresses the importance of education, arts funding, and hard work.

Renowned soprano, Madame Rosa Raisa discusses her career, early training, Chicago debuts, travels, teaching, and hobbies post opera.

Richard Vikstrom discusses his farewell performance. Richard Vikstrom also discusses classical music, religious music, and his early life. Includes an earlier interview with Richard Vikstrom.

Ned Rorem discusses the differences between writing books and writing compositions, his book "The Paris Diary of Ned Rorem", and how he uses poetry in his compositions.

Celebrated young tenor Giuseppe Sabbatini discusses his upcoming performance as Alfredo in "Traviata" at the Lyric Opera as well as beginnings, church music, debuts with little/no rehearsal and more.

Studs interviews Jabbo Smith and presents some of his musical performances. The musical pieces are removed from this edited version of the original recording. Smith shares the story of his childhood in the Jenkins Orphanage and how he came to learn music there. He discusses the songs he wrote and people he played with throughout his career and how he came out of retirement in Holland on the trombone.

Studs interviews George Esteves, the director of the Chicago Chamber Choir. They discuss the musical numbers that the choir will perform in their Mother's Day concert. Dexter Bailey will accompany. Esteves reads the lyrics in Italian of "Ecco Mormorar L'Onde" a Torquato Tasso poem, and Studs reads it in English. Esteves also reads some lyrics of the "Contate Irene Kiesewetter" by Schubert Franz. Esteves shares how members of the choir are recruited. Esteves names all the soloist members of the choir.

Recorded live on Chicago's South Side. Robeson is ill at the time of recording. Speakers: Earl Dickerson, Etta Moten Barnett, Judge Sidney Jones, J. Mayo "Ink" Williams, Joan Brown (possibly Abena Joan Brown), Charles Hamilton, Margaret Burroughs, [John Gray's sister], [Stevens?]

Studs interviews Allen Stone, Steven Larson, and Judith Erickson about the opera, "Regina," playing at the Chicago Opera Theater. They describe the variety of music and dances in the opera. Stone, Larson, and Erickson name the cast and their roles and describe the characters. Each share how they came to be in theater. Stone explains how the company started. Larson describes the orchestra and the chorus. Erickson reads some of the lyrics of the aria, "The Best Thing of All," at the end of act one. Stone, Larson, and Erickson read various lines from the opera.

Russian composer Alexander Tcherepnin discusses his travels to China & Japan and their influence on his music, composing for non-traditional instruments, electronic music, teaching young composers, and his "Concerto No. 2".

Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, and associates of Ballet russes.

Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing bagatelles in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, Russian/Asian/European cultural influence, electronic music.