Studs interviews Wolfgang Rubsam who is performing at the St. Clements Catholic Church in Chicago. They discuss the sounds of the harpsichord, piano, and organ. Rubsam explains how the organ builder and the acoustics in a church affects the sound of the organ. Rubsam talks a little about various teachers he has had and the things he learned from each. The musical numbers are removed from this edited version of the original recording.

Studs interview with Thomas Wikman about MOB (Music of Baroque). Wikman shares historical details of the rise of Baroque music. Studs and Wikman discuss various Baroque pieces and the instruments used. Wikman describes various pieces of his work and members of his group. They discuss Baroque composers, and Wikman describes how acoustics play a role in their music selections for live performances. Studs also explores Wikman's childhood and influences to his music.

Presenting music and interviewing studio musicians Pat Ferrari, Ron Steele and Jim Crockett editor of Guitar Play Magazine.

Terkel presents an Easter program. Songs include "Lord of the Dance/Simple Gifts" sung by Bill Crofut and Benjamin Luxon; "Plenty Good Room" sung by Roland Hayes; "Vidé" a carnival song of Martinique; "Wondrous Love" sung by Ed McCurdy; "The Cuckoo" sung by Burr Tillstrom as Kukla; "The Cuckoo's Nest" sung by Jimmy MacBeath; "The Cuckoo" sung by Jean Ritchie; "Gloria," Malaga Flemenco song; "Old Blind Barnabus" sung by Golden Gate Quartet; and Bach's "St.

Studs Terkel presents a program in honor of the birthday of abolitionist and African American leader Frederick Douglass, including excepts from Terkel's 1964 interview with African-American scholar, author and social historian Lerone Bennett. Terkel reads at length from Douglass' autobiography, "My Bondage and My Freedom," focusing on Douglass' interactions with slave owners Hugh and Sophia Auld.

Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.

Studs interviews Phyl Garland about her book "Sound of Soul." They discuss the history of music and how black music influenced white music. Studs reads a quote from her book where she quoted Lerone Bennett. Garland also reads from her book a few times. They discuss how music changed over time for blacks from spirituals to slave songs to the blues because it was a reflection of their lives. Garland explains how blacks used music to help them through their trials and frustrations.

Studs interviews Phyl Garland about her book "Sound of Soul." They discuss various musicians that she mentions in her book and their influence on black music. Garland explains the music of young black artists and how commercialization of music gave blacks an opportunity that they would not have had otherwise. Garland talks about how Fannie Lou Hamer used music to express her message in the Civil Rights Movement and as a women's rights activist. Studs and Garland discuss various black female artists and their music.

Interviewing the company of Free Street Too with Pat Henry, Free Street Theater founder and producer. Free Street Theater is an arts outreach organization that provides workshops in writing, theater, music and dance and stages performances for populations

Norman Wallace discusses his music career. Norman Wallace discusses his occupations as a pianist and a songwriter.

Discussing the songs and music of the Vietnam War with author Larry Heinemann, musician Chuck Rosenburg, and folk singer Saul Brody.

Musical theater and television actress/comedienne Kaye Ballard discusses her role as Helen in the 1954 American opera The Golden Apple, musician and writer John La Touche, her family, her accompanist Arthur Siegel and their mutual love for the Peanuts comic strip, the parakeet sketch she wrote with Mel Brooks, her background in burlesque and vaudeville, and her comic and musical inspirations.

Studs interviews John Eliot Gardiner about his career in baroque music and his background and interests. Studs announces that Gardiner is performing at Orchestra Hall in Chicago. Gardiner explains the instruments that his group uses and how they are different and capture the original sounds of pieces. He also describes the history and time period of baroque music. Gardiner explains various pieces that the choir performs such as Handel's "Israel in Egypt" and Henry Purcell's "King Arthur." The musical numbers are removed from this edited version of the original recording.

Jane Stedman discusses the lives of W.S. Gilbert and Arthur Sullivan and the works they created jointly as Gilbert and Sullivan with emphasis on their comic opera "Utopia, Limited."

Studs Terkel and Irwin Silber, a writer and Civil War historian, talk about music from the Civil War and Silber’s book “Songs of the Civil War.” This is the final part of the interview with Silber. A brief interview with Malayan artist Abdullah Ariff follows the Silber interview. Ariff discuss Malayan culture and the artwork he has on display in the United States.