Studs Terkel interviews Valentin Pluchek and Stanislaw Pchenikov on Russia theater, focusing mainly on the city of Moscow.

Studs Terkel discusses Russian theater with Stanislaw Pchenikov and Theater director Valentin Nikolaevich Pluchek.

Soviet intellectuals Tamara Mamedova, Nicolai Pogodin, and Anatol Safronov talk with Studs Terkel about their work with the Institute for Soviet-American Relations (U.S.) and Soviet arts and culture.

Studs Terkel and Tcherepnin discuss Tcherepnin's early years in Leningrad, his creative drive and its relation to real-life experiences and the influence of Chicago on his 1953 Op. 87 Suite for Orchestra.

Nikolay Akimov, Theodore Komisarjevsky and Pavel Markov discuss the Soviet theater. The ending music on this record was edited out

Joshua Rubenstein discusses his book "Tangled Loyalties: The Life and Times of Ilya Ehrenburg" and the importance of Ehrenburg during the Stalin regime.

Terkel interviews ballet dancer and choreographer Igor Youskevitch who would be staying in town until January 3.

Salisbury continues talking about the artists like writers, musicians and dancers being national assets to Russia. In a country with its history of tyranny, Russian society is becoming more permissive and relaxed, explained Salisbury. Khrushchev keeps the peace right now, says Salisbury but wonders, like the title of a new book he's working on, is this "A New Russia?".

Being a correspondent for the New York Times in Moscow gave others the chance to see Russia through Harrison Salisbury's reporting. Inside their country, the people, says Salisbury, they have started to loosen up and they have started to talk to one another. The freedoms of the arts have come back, too.

Harrison Salisbury discusses his book “The 900 Days: The Siege Of Leningrad” and the lasting impact of the siege on the Soviet Union and life in Leningrad during the siege. Salisbury reads a poem by Olga Bergholz.Isabella Zorina discusses a trip to mass graves, including the many young people who were also visiting, some as part of wedding ceremonies, and the music played at the graves. Terkel plays Beethoven's Symphony No. 3, conducted by Leonard Bernstein, at the end of the program.

His experiences as a journalist are what's covered in Harrison Evans Salisbury's book, "A Time of Change: A Reporter's Tale of Our Time". Salisbury believed as a reporter, one truly needed to be at the event, in order to obtain the true story. Once Salisbury questioned if he was living in America because he was asked to switch rooms at a hotel in Birmingham, only to find out later that there were special, bugged rooms for reporters.

Studs Terkel talks to New York Times journalist Harrison E. Salisbury about his book on the Russian Revolution of 1917 entitled, "Black Night, White Snow", detailing the roles of the SR's, Lenin and the Bolsheviks, the Mensheviks, the Narodniks, Kerensky, Kropotkin, Stalin, Zinoviev and more.

Discussing the book "The 900 days" about the siege of Leningrad during World War II.

According to Elisabeth Schwarzkopf, at a young age, she first started to play the piano and viola before she studied singing. Madame Schwarzkopf explained the importance of being able to play different roles. With regards to luck, Schwarzkopf says it happens only once, when one finds the right teacher. All the rest, explains Schwarzkopf is hard work.