Comedians Sid Caesar and Imogene Coca talk about their work together. They explore the meaning and emotions behind comedy, improv, and pantomime and how the audience is involved with their shows. Sid recalls several of their skits and does a few examples of his dialects.

Robert Vaughn takes time out from his Drury Lane appearance in "Tender Trap" to discuss his new book "Only Victims" with Studs Terkel. The discussion spans the years 1938 when Martin Dies became the first House Committee on Unamerican Activities (HUAC) chairman to Vice President Spiro Agnew's condemnation of the "New York Times" and "Washington Post". Vaughn created the title of his book "Only Victims" from a Dalton Trumbo speech that reflected back on the era of HUAC as being one where there were no heroes, no villains, only victims.

Tomlin talks in depth about the characters she has created and played (Trudy the Bag Lady, Kate, Agnus Angst, Chrissy, Lynn, Marie, ) in the play "The Search for Signs of Intelligent Life in the Universe" by Jane Wagner. Tomlin talks in detail about each character and inspirations and influences behind each, especially Trudy.

Interviewing actor Larry Gelman.

Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 2.

Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 1.

Eleanor Bron explained that audiences want something new from actors all the time. Bron said she was leery of all the newness because people would get bored. John Bird added that at times, it's difficult to be creative. In the end, they both spoke of their looking around for a two-person show to do together.

Eleanor Bron said television provided its audience with too many facts. Bron also said it’s dreadful to hear about all the misery and tragedy going on in today’s world. In contrast, John Bird said the television offered its audience an opportunity to learn more about world affairs. Switching to the topic of theatre, Bron said she preferred working in the theatre because, as an actor, she has more control over what’s done at every performance. In contrast again, Bird said he did not like acting on the stage.

Studs Terkel and actor Hiram Sherman discuss Sherman’s upcoming play “Mary, Mary,” the Actors’ Equity Association, and what it is like to be an actor.

They discuss Mr. Cavett's life and his work as a talk show host. The interview ends with "Reverend Eli Jenkins' Prayer," a poem by Dylan Thomas sung by Osian Ellis, a Welsh singer, and harpist. These have been removed from the broadcast due to copyright.

Charles Dance, English actor, talks about his work in the British TV show "The Jewel in the Crown," based on the novel series, "The Raj Quartet," by Paul Scott. Dance also discusses his work on the play, "Thunder Rock" and film, "Plenty," and the TV shows, "The Secret Servant," and "Rainy Day Women."

Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.