Singer Harry Belafonte discusses Black music including spirituals and jazz and how it has contributed to American culture.

Recorded live on Chicago's South Side. Robeson is ill at the time of recording. Speakers: Earl Dickerson, Etta Moten Barnett, Judge Sidney Jones, J. Mayo "Ink" Williams, Joan Brown (possibly Abena Joan Brown), Charles Hamilton, Margaret Burroughs, [John Gray's sister], [Stevens?]

Terkel interviews Corky Siegel and the West End String Quartet. Corky Siegel and the West End String Quartet also performs during the broadcast. They also discuss the musical genre of chamber blues.

Terkel comments and presents the music of Chanticleer, an acapella ensemble, comprised of 12 all male voices. Chanticleer discusses the following: the group vocal composition; the groups history; various recordings; and their influences. Chanticleer performs the following songs live on air: "Benedicamus Domino", "If Ye Love Me", "O Sacrum Convivium", "Nude Descending a Staircase", "When I Fall in Love", "Jesus Met the Woman at the Well", and "Magnificat a 12".

Brownie McGhee and Sonny Terry discuss their careers as blues musicians and longtime collaborators. The close relationship between Terry and McGhee is apparent as they perform a number of original and traditional songs during the interview. Songs have been removed due to copyright.

Studs interviews Brother John Sellers about his career and other blues singers. Sellers explains that religion influenced his music as did performers like Mahalia Jackson, Big Bill Broonzy, and Muddy Waters. Studs reads some of the lyrics of blues song, "In the Evening." Sellers describes street singers and blind singers. He describes the music and style of Jackson and Broonzy and some of his own songs. Sellers performs "Talk About A Child" and "Sally Go Round the Sunshine" live on the program.

Bob Koester, record producer and owner of Delmark Records, the United State's oldest independent jazz and blues label, talks about jazz, blues, and bebop musicians.

Blind John Davis, Chicago blues pianist, discusses his time playing in Germany and at the Blue Note jazz club, chitlin' parties, growing up on the West side of Chicago. He also recalls meeting and working with musicians like Tampa Red and Big Bill Broonzy. Music has been removed from this recording for copyright reasons.

Big Bill Broonzy discusses the blues and growing up in Arkansas with parents who were former slaves. He talks about the family dynamic and sings: "Willie Mae", "Crawdad song", "Going down this road feeling bad" and "John Henry".

Big Bill Broonzy discusses the blues and growing up in Arkansas with parents who were former slaves. He talks about the family dynamic and sings: "Crying Joe Turner", "C.C. Rider", "Make my get away", and " You've got to stand your test in judgement" . Part 1

Big Bill Broonzy discusses the blues with Studs. Big Bill talks about getting ready for a European tour, his young life, and his life as a musician. The following performances have been removed for copyright reasons: "Ride Alberta, ride," "Going Down the road feeling bad," "House rent stomp," "The glory of love," "Plow hand," "I feel so good," and "Make my getaway."

Art Hodes discusses his history and influences on his career as a jazz and blues pianist. He tells stories of musicians he has worked with and how he keeps his performances fresh after playing for so many years. Music by Art Hodes is played throughout: "Chimes Blues", "Tennessee Waltz", "Grandpa's Spells", "Just a Closer Walk with Thee","Cakewalkin' Babies from Home", "Blues 'N Booze", and "Riverside Blues".