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Part 3. Alec Wilder and Harry Bouras discuss Wilder's book "American popular songs", published in 1972.
Singer-songwriter and activist Holly Near discusses her work for fighting for social justice through outlets such as her music. Near a prominent proponent for the LGBTQ community has streamlined her work using folk and protest-inspired songs. Near has been awarded multiple honors from organizations such as the ACLU and the National Organization for Women for her work for social change.
Studs interviews Harry Chapin about his music and career. They discuss Chapin’s style of writing songs. Chapin describes some of his songs such as “Cats In the Cradle,” “Sniper,” “WOLD,” and “Mr. Tanner.” He stresses that his songs tell stories and often are influenced by real-life events. For example, “30,000 Bananas Pounds of Bananas” came from a trip he took on a Greyhound bus through Pennsylvania where there was a truck accident.
Haig Allahverdian discusses Armenian music and culture as well as the Armenian massacre and its effects on the Armenian people on the whole. Copyrighted material has been removed from this program.
Edwin T. Buehrer, a Unitarian minister, discusses Unitarianism, his book "Changing Climate of Religion", and human problems. They also discuss humanity, religion, life on other planets, science, and the universe. Includes a clip of Arthur C. Clarke speaking about the universe and life on other planets. Includes a clip of a boy talking about who he thinks God is. Includes a clip of a boy talking about the fall of Rome.
E.Y. (Yip) Harburg and Studs Terkel read from the book "At This Point in Rhyme". E.Y. Harburg also discusses his thoughts on humanity, how to properly write a song, and the importance of light verse and humor as a basis for everything he creates. Excerpts of "Somewhere Over the Rainbow" by Judy Garland, "Brother, Can You Spare a Dime" by the Weavers, and a Broadway recording of "How Are Things in Glocca Morra" are played in the original airing but have been removed from this version for copyright reasons.
Dempsey Travis presents a jazz program and discusses the life, the music, and the community of Chicago jazz from before The Great Depression until World War II. Travis discusses 1920s-1930s Chicago for Black families including rent parties, breakfast dances, employment opportunities, union strikes, and jazz.
Dempsey Travis, author and jazz historian, recalls his memories meeting Jazz artists of the 1920-1940s. Some artists discussed include Jimmie Lunceford, Sy Oliver, Duke Ellington, Chick Webb, Chu Berry, Andy Kirk and others. Travis also discusses his father and his own time playing Jazz.
Dempsey Travis talks about his book, "An Autobiography of Black Jazz," as he recalls his childhood memories of Jazz, Blues, and Boogie-Woogie artists that he met.
Dempsey Travis, real estate entrepreneur and civil rights activist turned historian and author, recalls his earlier days meeting and listening to many of the African American jazz artists. Some of the musicans mentioned are Louis Armstrong, Jimmie Lunceford, Fletcher Henderson, Duke Ellington, Earl Hines, Art Tatum, Cab Calloway, Nat King Cole, and Benny Goodman.
Connie Kolb and Ursula Bender discuss life in Germany, specifically Berlin. Connie Kolb discusses her life struggles, lack of confidence, and her work in journalism.
Studs interviews Christopher Durang, playwright, about his plays. "A History of the American Film" is the highlight of the interview, which is playing at the Heron Theater in Chicago. Durang describes parts of the play and it's characters. He explains that it portrays the different eras and famous moments of movies and references real actors and actresses. Durang reads several times from the play, but all musical numbers are removed from this edited version of the original recording.