William Ury discusses his book "Getting to yes"
Discussing the book "Getting to yes: negotiating agreement without giving in" with William Ury.
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Discussing the book "Getting to yes: negotiating agreement without giving in" with William Ury.
Vine Deloria discusses his book "The Metaphysics of Modern Existence", religion, ethics, Native Americans, Native American culture, and Native American history. Includes a previous interview with Vine Deloria at O'Hare Airport.
Program includes an excerpt of a discussion with Shilts about his book "And the Band Played On: Politics, People, and the AIDS Epidemic."
Interview begins with an excerpt of Marge Person a member of a citizens action program talking about prescription drugs, and cost of living with a health condition.(Unspecified clip #) Discussing the book, "The Politics of Medicare," and interviewing the author Theodore Marmor. Associate professor of Center of Health Administration studies at University of Chicago. Mr Marmor has been part of policy planning with the department of welfare, for medicare. He talks about National Healthcare or at the least affordable healthcare for all.
Simon Wiesenthal discusses his advocacy work after surviving the Holocaust and the publication of The Sunflower in 1969.
Humanitarian and author Sally Trench discusses her book “Bury Me in My Boots,” her work with the homeless communities in England, her journeys, and her belief in self-help with Studs Terkel. Both Trench and Terkel read an excerpt from Trench’s book “Bury Me in My Boots.”
Humanitarian and author Sally Trench discusses her book “Bury Me in My Boots,” her work with the homeless communities in England, her journeys, and her belief in self-help with Studs Terkel. Terkel reads an excerpt from Trench’s book “Bury Me in My Boots.”
Author, comedian and satirist Paul Krassner joins Studs Terkel in a “mosaic” of an interview, as Krassner calls it, to discuss his book, “Confessions of a Raving, Unconfined Nut: Misadventures in the Counter-Culture.” The conversation begins with two clips from Abbie Hoffman and Lenny Bruce, friends of Krassner’s and fellow key figures in the counterculture movement of the 1960s. Krassner speaks on his friends’ legacies, and then begins telling his story, reading a passage from his book about when he first started questioning society.
Terkel interviews journalist/editor/author Lois Wille.
Mr Regenstein and Studs discuss the book, "The Politics of Extinction". The book blows the whistle on those who are currently engaged in killing these animals for "sport," fashion, and profit. They talk about various endangered species and what that distinction means and the public officials with the power- and the responsibility - to protect wildlife, but who instead allow the destruction to continue.
The people living at the Martinique feel as though they are a toxic waste substance being compressed in the density living quarters, explains Jonathan Kozol. Rachel of Kozol's book, "Rachel and Her Children: Homeless Families in America" said people don't want to see them. Refering to the song, "We are the World, " Rachel also asks how come people care so much for people they can't see? "We are the world, " says Rachel. "We live here, too".
Susan Nussbaum, founder of Access Living and Michael Pachovas founder of Disabled Prisoners Program discuss the upcoming Disabled Americans Freedom Rally in the backdrop of the International Year of the Disabled Persons and President Reagan's budget cuts. Society needs to understand that expenditures are required to secure the rights of disabled people to live active, productive lives. They need to be able to get out of their apartment buildings or homes, travel on sidewalks and ride buses. That may require access ramps, working elevators, cut curbs, and hydraulic buses to lower steps.
Interviewing Ray Gordon, writer, and director Susanne Nussbaum and cast members of "Disabled Geniuses"
Terkel interviews folk singer Patrick Sky on his latest project. A 19 minute film entitled "Down the Road" Sky directs and stars in the film about pollution. He describes how he acquired the help of local children to shoot the film and how he got permission from the city to shoot on location.