Studs Terkel heads to the British town of Stratford-upon-Avon (the birthplace of William Shakespeare) intending to interview Sir John Gielgud, and getting a few words before Studs realizes that Sir John is not intending to be interviewed. He speaks instead to other members of the company. Then he meets Mr. and Mrs. Lawrence in the Falcon Hotel.

Terkel interviews actor/director Sam Wanamaker. They talk about his latest production of Macbeth at the Goodman Theater. This interview is done in two parts.

Terkel interviews Jonathan Miller about Shakespeare theater with some comparisons between American and English theater. They also talk a great deal about American drama, actors, and theater.

Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 2.

Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 1.

Ivy Compton-Burnett continues the discussion of class structure in England in part 2. Ms Compton- Burnett, shares with Studs that she has never been a actor she had always been an observer, and he agrees that her writing reflects that accurately. He ends the interview by telling Ms Compton-Burnett that she is a true original and that he greatly admires her individuality end 13:00. Studs then begins interview with Peter Hall at Aldwych theater office London, England. Mr Hall is the director of both the Aldwych and Stratford theaters, and director of the Royal Shakespeare Company.

Interviewing actor, director and playwright Alan Ayckbourn.

Terkel Talks with known English Dramatist Sir Arnold Wesker (part 2) about the economy of England. The talk begins with the subject of apprentices and when students began their apprenticeship (usually at the age of 15). This is a two part interview

Terkel Talks with known English Dramatist Sir Arnold Wesker (part 1) about the economy of England. The talk begins with the subject of apprenticeship. This is a two part interview.

This lighthearted interview with actor, director and author Victor Spinetti is juxtaposed by the September 5, 1975 bombing of the London Hilton, which took place mere hours beforehand and "two blocks away," according to Studs. The two discuss Spinetti's Welsh background, acting and comedy with nervous energy against a backdrop of gunshots and bomb threats.

Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.