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Discussing "The Mikado," by Gilbert & Sullivan with theater and opera director Peter Sellars.
Joachim Kaiser discusses critiquing German music and how the music scene in Germany has changed. Studs Terkel in Germany.
Discussing Paul Robeson with actor, teacher, and musician Avery Brooks.
Harold Prince discusses his direction of Madame Butterfly while also discussing operas, musicals, and theater in general.
Frederick Ritter, professor at Illinois Institute of Technology, discusses the life and work of playwright Bertolt Brecht, the genre of epic theater, and more.
Frederick Ritter discusses the life and work of playwright and poet Bertolt Brecht and preforms a few his songs. He also discusses the philosophy of epic theater and literature in Germany. Sabina Roupp joins Ritter with Brecht's music.
Frederick Ritter, professor, preforms musical numbers from Austria. He also discusses the history of baroque theater and Volk's Theatre, along with Viennese culture. He is joined by Sabine Roupp, Joseph Gardner and David Miller on piano during the performances. Ritter also compares Bertolt Brecht with earlier writers, Johann Nestroy and Ferdinand Raimund. Selected pieces includes works by Mozart and Ferdinand Raymond and Johann Nestroy.
Studs Terkel talks with Elisabeth about her career in opera. She discusses her thoughts of her overall career.
Claudia Cassidy discusses being a critic of theater and opera etc. Includes about 1.5 minutes of another interview.
Claudia Cassidy discusses being a critic of theater and opera etc. Cassidy also discusses her writing and journalism aspirations.
Studs Terkel interviews Birgit Nilsson during her time playing Leonore in Fidelio.
Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".
Studs interviews Allen Stone, Steven Larson, and Judith Erickson about the opera, "Regina," playing at the Chicago Opera Theater. They describe the variety of music and dances in the opera. Stone, Larson, and Erickson name the cast and their roles and describe the characters. Each share how they came to be in theater. Stone explains how the company started. Larson describes the orchestra and the chorus. Erickson reads some of the lyrics of the aria, "The Best Thing of All," at the end of act one. Stone, Larson, and Erickson read various lines from the opera.
Russian composer Alexander Tcherepnin discusses his travels to China & Japan and their influence on his music, composing for non-traditional instruments, electronic music, teaching young composers, and his "Concerto No. 2".